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Potiphar's Baby Son Spoke Up While the Guards Beat Joseph

She changed out of her state robes, got back into the bed she had left that morning, and laid the torn coat down beside her. Then she called the house in.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The Bed She Climbed Back Into
  2. The Story She Told Them Standing Around Her
  3. The Other Complaints That Arrived the Same Day
  4. The Voice From the Cradle
  5. What the Judges Found in the Cloth
Potiphar's Baby Son Spoke Up While the Guards Beat Joseph Click for full size

The Bed She Climbed Back Into

Zuleika had friends working on her husband already, but she was not going to leave it to them.

She took off the rich robes she wore for company. She put on the plain clothes she had been wearing that morning, when the household went out to the festival and left her behind claiming she was too ill to walk. Then she got back into the sick-bed exactly as she had lain in it at dawn, arranged herself, and laid Joseph's torn garment on the covers beside her where it would be the first thing anyone saw.

Then she sent a small boy running to fetch the men of the house.

The Story She Told Them Standing Around Her

They came in and found their mistress flat on her back, pale, in her ordinary clothes, with a slave's ripped mantle lying on the bed.

"See the Hebrew slave your master brought into my house. He tried to do violence to me today. You had barely gone out to the festival when he came in here, made certain nobody else was in the house, and tried to force me. I got hold of his clothes and tore them and cried out with a loud voice. When he heard me screaming he took fright and ran, and he got himself out, and he left that garment lying by me."

Not one of them said a word to her. They turned and went straight to their master in a rage.

The Other Complaints That Arrived the Same Day

Potiphar was hearing it from more than one direction. The women Zuleika had been talking to had gone home and worked on their own husbands, and those men came to Potiphar too, to lodge their own grievance about his Hebrew: the slave had been bothering their wives.

By evening Potiphar had a wife on a sickbed, a torn mantle, his own household men swearing to the story, and a line of respectable Egyptians at his door saying the same thing in different words. He gave the order.

The bailiffs took Joseph out and began to beat a confession out of him. That was the procedure. The beating came before the hearing, and a slave who had assaulted his master's wife was not expected to survive the sequence.

The Voice From the Cradle

Potiphar's infant son was in the house while it happened.

He was too young to be asked anything. Nobody had counted him among the people who might have been present, because a child that age is furniture in a room full of shouting adults. Then, in the middle of it, the baby opened his mouth and spoke.

What he said shamed his father in front of the whole household. Potiphar stopped the beating. He called the bailiffs off, and the men who had been swinging stood there with their arms down while a room full of grown Egyptians looked at a child who had just made all of them wrong.

It did not end the case. It moved it. From the courtyard, where the answer had already been decided, to a court, where priests sat as judges and evidence had to be produced.

What the Judges Found in the Cloth

Joseph stood in front of them and told it straight through, every part of it, exactly as it had happened. Potiphar stood up after him and repeated his wife's version word for word.

Then the judges asked for the garment.

Zuleika still had it. It was carried in and laid out and the priests bent over it and looked for the tear. Where the cloth had given way would settle everything, because a man dragged backward tears one way and a man breaking forward out of a grip tears another, and cloth does not adjust its story to suit the household that owns it.

The tear was on the front of the mantle.

She had held him by the front and he had pulled away from her, and the rip ran where his weight had gone, away from her hands and not toward them. The judges said what the cloth said: the woman had tried to keep hold of him, she had failed, and the charge she brought afterward was invented.

Then they sentenced him.

Not to death. They were explicit that he had done nothing to deserve death. They sent Joseph to prison because a stain had been left on Zuleika's good name, and somebody had to carry it, and the person carrying it was not going to be the captain of the guard's wife. Joseph walked out of that court cleared of the crime and convicted of being the reason people were talking about her.


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Sources

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The texts behind this telling. Some cards carry a translation of the source; others are our own retelling of it, and each card says which. Every card links out to the original.

Legends of the Jews 1:133Legends of the Jews

Retold in our words. Read the original at the link below.The Legends of the Jews by Louis Ginzberg (1909) · Public Domain

Remember the story? Potiphar's wife, Zuleika, falsely accused Joseph of trying to seduce her. It was a mess. A really, really big mess. And things were about to get even more complicated.

In Legends of the Jews, Potiphar, initially enraged, was ready to punish Joseph severely. But then, something remarkable happened. Potiphar's own infant son spoke up, seemingly divinely inspired, causing Potiphar to hesitate. It was enough to stay his hand from immediate, brutal punishment.

So, instead of immediate execution, the matter went to court. Imagine the scene: Priests, acting as judges, gathered to hear the case. Joseph, standing accused, pleaded his innocence, laying out the truth of the matter. But Potiphar, bound by his wife's version of events, repeated Zuleika's accusations.

The tension must have been palpable.

The judges, wise men of Egypt, needed evidence. They ordered Zuleika's garment – the one she claimed Joseph had torn – to be brought forth. This garment, held the key to the truth.

And here's where the story takes a fascinating turn. The tear in the garment was examined closely. Where was it located? On the front! This detail, seemingly small, was crucial. As Legends of the Jews details, the placement of the tear indicated that Zuleika had been the aggressor, attempting to hold Joseph back. He had been trying to escape her grasp!

The truth, revealed in a torn piece of cloth. The judges, seeing the evidence, reached a conclusion. Joseph was not guilty of the crime Zuleika accused him of. He didn't deserve the death penalty. But, and this is a big but, they couldn't let him go scot-free. Why? Because, as the judges reasoned, Joseph had still brought shame upon Zuleika's reputation. He was, in their eyes, the cause of scandal.

So, their verdict? Imprisonment. Joseph was condemned to incarceration, a punishment for a crime he didn't commit. Think about the injustice of it all!

What does this tell us? Perhaps that sometimes, even when the truth is evident, societal pressures and perceived reputations can overshadow justice.

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Legends of the Jews 1:130Legends of the Jews

Retold in our words. Read the original at the link below.The Legends of the Jews by Louis Ginzberg (1909) · Public Domain

The familiar version gives us how that ended up, but the lead-up is just as juicy. Zuleika wasn't just going to rely on her friends to get her revenge on Joseph. Oh no, she had a plan of her own, a ruse designed to utterly convince her husband, Potiphar, of Joseph's supposed guilt.

As Ginzberg retells it in Legends of the Jews, she started by ditching her fancy clothes. No more queenly robes. Instead, she donned her everyday attire and dramatically took to her sickbed, the very one she'd been using while everyone else was off at the festival. And the prop? Joseph's torn garment, strategically placed right beside her.

Next, she sent a young boy to gather some of the men of her household. And to them, she spun a tale of Joseph's alleged assault. "Look at this Hebrew slave," she wailed, "the one your master brought into my house! He tried to violate me today! You had barely left for the festival when he barged in, thinking no one was here. He tried to force himself on me, to fulfill his lustful desires!"

Can you imagine the scene? The hushed whispers, the narrowed eyes.

Zuleika continues, "But I grabbed his clothes, tore them, and screamed as loud as I could! When he heard my cries, he panicked and fled, leaving his garment behind!"

According to Legends of the Jews, the men didn't say a word. Silent, but seething with anger, they stormed off to find Potiphar, ready to report Joseph's supposed crime.

But wait, there's more! The husbands of Zuleika's friends, those women who were already stirring the pot, had also been whispering in Potiphar's ear. Instigated by their wives, they complained about Joseph, claiming he had been harassing them as well.

So, Potiphar is getting it from all sides. His wife, his colleagues, all pointing fingers at the same young man. It's a perfect storm of accusation, fueled by jealousy and deceit. What could possibly go wrong?

It's a powerful reminder of how quickly perception can become "reality," especially when fueled by envy and manipulation. And how often are we, perhaps unwittingly, part of the chorus, adding our voices to the storm?

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