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Six Palaces of Righteous Women in Paradise

The Zohar maps Gan Eden as a place of palaces, fields, and trees where righteous women are crowned each day with the light of the Shekhinah.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. What the Palaces Contain
  2. The Soul's Escort to the Gate
  3. The Field Where Souls Grow
  4. The Tree at the Center

The soul of a righteous woman does not drift into an undefined afterglow when her life ends. She arrives at a palace. Then another. The Zoharic tradition reserves six of them, specifically, for the souls of righteous women.

Six palaces. Not a vague brightness. Architecture.

What the Palaces Contain

Zohar 1:8a, from the thirteenth-century Kabbalistic masterwork first disseminated in Castile in the 1280s, imagines Gan Eden as a structured place of spiritual honor. Within it are distinct palaces reserved for righteous women. Each palace is a home, not a holding cell. The traditions preserved in Tree of Souls, Howard Schwartz's anthology of Jewish afterlife mythology, describe what those palaces hold: beautiful canopies, angels standing guard, and a daily crowning with the radiance of the Shekhinah, the divine feminine presence.

The daily crowning is specific and important. It means paradise is not a static state. It is an ongoing relationship. Each day brings a new act of divine recognition. The righteous woman is not merely admitted to Gan Eden and left there. She is attended to. She is acknowledged. The Shekhinah's light comes to her regularly, as an act of presence and honor that repeats and does not exhaust itself.

The number six is not incidental. A palace is already a claim of dignity. Six palaces make dignity ordered, repeated, and spacious. The righteous women of Israel are not described as standing at the margin of a paradise organized primarily for others.

The Soul's Escort to the Gate

Zohar 1:218a describes what happens to the righteous soul in the moments immediately after death. Three companies of angels appear. They are not ordinary attendants. They are legions of celestial beings whose task is to escort the soul to the shimmering gates of Gan Eden. The soul does not find its way alone. It is met, accompanied, and guided.

Another tradition within this same layer of Zoharic thought adds that the archangel Michael himself leads the escort when the soul is one of particular righteousness. The most honored dead arrive at the garden with the most honored guide. Death, in this telling, is a passage with attendants rather than a drop into silence.

The palaces for righteous women belong inside this larger geography of honor. To arrive at one of the six palaces, you first must have been escorted through the gate. The architecture of paradise begins at the moment of death with the company that meets you.

The Field Where Souls Grow

A third strand of this same tradition describes a field in paradise that is unlike any earthly field. It overflows with trees of unimaginable splendor and grass that shimmers with holiness. The trees in this field are souls. The grass is souls. They grow in this field the way living things grow in sunlight: reaching, unfurling, becoming more of what they are.

The field is called the Treasury of Souls. Souls flourish there in a manner that biological life cannot achieve in a body subject to age and decay. The righteous woman's palace exists within a paradise that includes this field, which means her dwelling place is surrounded by living souls in the condition of their maximum growth and radiance.

This makes Gan Eden feel inhabited rather than empty. The righteous do not rest in isolated chambers of divine light. They exist within a community of souls, all of them growing, all of them held by the same structure of divine care.

The Tree at the Center

Deep within paradise stands a Tree of Souls. It is a magnificent tree, blossoming with souls not yet assigned to bodies, souls still in the condition of pure potential. An angel, the Guardian of Paradise, sits beneath its branches and tends the grove. The four winds of the world move around it.

The tree is a statement about the source of life itself. The souls that will one day enter bodies and live human lives and face choices and accumulate damage and require repair are, before all of that, blossoms on a tree in Gan Eden. They come from a place of beauty and return to it. The six palaces of righteous women are located in the same paradise that holds the Tree of Souls, which means that arrival in paradise is, in some sense, a homecoming to the place the soul originated.

The righteous woman's palace is not reward in the sense of payment for labor rendered. It is the soul finally occupying the kind of dwelling it was designed for before the body made other arrangements necessary.


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Zohar 1:8aZohar

What they've imagined is According to tradition, within Paradise – also known as Gan Eden (the Garden of Eden, paradise) – lie not just one, but six palaces, each a home for the souls of righteous women. That's what Howard Schwartz tells us in Tree of Souls, drawing from various mystical sources. Imagine: each woman, a palace of her own! And within those chambers? Beautiful canopies, angels standing guard, and every single day, they’re crowned with the radiance of the Shekhinah – the divine feminine presence. It's a vision of beauty and honor beyond our wildest dreams.

The first palace is ruled by Bitiah, Pharaoh's daughter. Remember her? The one who defied her father and raised Moses as her own son. What an act of defiance and compassion! In Paradise, Bitiah continues her role as a nurturer and teacher. She instructs thousands upon thousands of pious women in the commandments of the Torah, serving as their queen. These women, according to the tradition, retain their human forms, are clothed in garments of light, and experience unending joy. And get this: three times a day, Bitiah goes to a curtain – a symbolic barrier, perhaps? – and bows before the image of Moses, proclaiming, "Fortunate am I for drawing such a light out of the water." It's a powerful image of maternal pride and recognition.

Then there's Serah bat Asher, ruling over another vast multitude of righteous women. Their focus? Praises of God and contemplation of the Torah's commandments. Just like Bitiah, Serah also has a ritual. Three times a day, she bows before the image of Joseph, saying, "Happy was the day on which I gave the good news about Joseph to my grandfather, Jacob." This comes from Serah's role in folklore as the one who brought Jacob the news that Joseph was still alive in Egypt after his brothers sold him into slavery. (Ginzberg, Legends of the Jews). She was known for her wisdom and longevity, and in Paradise, she's forever celebrated for her act of bringing hope.

Who else has a palace? Yocheved, the mother of Moses; Miriam the prophetess, his sister; and Deborah the prophetess, the judge and warrior. Powerful, influential women, each a beacon of righteousness.

But here's where things get really interesting. During the day, the men and women in Paradise are separate, divided by a curtain. But every night, at midnight, they come together. Why midnight? Well, that's considered the hour of copulation, a time of intense spiritual connection. Soul cleaves to soul, light to light, and the Zohar tells us that the fruit of this union are the souls of those who will become converts to Judaism. It's a powerful and somewhat surprising image: the most intimate of acts leading to the expansion of the Jewish people.

What does it all mean? This vision of Paradise tells us a lot about the values of the tradition. Righteousness, compassion, learning, leadership – all are rewarded. And the inclusion of women like Bitiah, Serah, Yocheved, Miriam, and Deborah emphasizes their essential roles in Jewish history and spirituality. It's a reminder that Paradise isn't just a place of rest, but a place of continued learning, connection, and creation. As we find in Midrash Rabbah, the world to come is a place of great rejoicing and celebration.

So, the next time you think about Paradise, remember those six palaces, the righteous women within, and the powerful, transformative connections they make. It's a vision that challenges us to think about what it means to live a righteous life and the rewards that await us. It is also a reminder that women have always been essential and central to the Jewish tradition.

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Zohar 1:218aZohar

One fascinating path: the soul’s journey to the Garden of Eden.

The moment a righteous person departs, three companies of angels appear. Not just any angels, but legions of celestial beings escorting the soul on its final journey. They lead the way, guiding the tzaddik toward the shimmering gates of Gan Eden, the Garden of Eden. What a welcome party!

That's not the only picture painted for us. Another tradition suggests that as the soul leaves the body, the archangel Michael himself, the great protector and advocate, steps forward to greet it. His words are of profound comfort: "May you come in peace." Can you imagine the relief and joy that would bring?

The journey doesn’t end there. Some teachings describe a kind of spiritual superhighway – a column that connects the lower, earthly Garden of Eden to the higher, celestial one. Think of it as an elevator, carrying the soul upward, level by level. According to this view, the soul ascends through this column, moving from world to world, year to year, and even…from soul to soul. This column, we're told, is called "the column of service and fear of heaven."

This idea, attributed to the Ba'al Shem Tov – the founder of Hasidism – elegantly addresses a key question: how are the earthly and heavenly Gardens of Eden connected? How does a soul reach those higher realms of paradise?

There's even a third vision: the souls of the righteous ascend the Tree of Life, rising into heaven and ultimately finding their place in the celestial Garden of Eden. Picture this garden – immense, stretching a thousand years' journey in size! It’s nourished by a source of living water, an eternal spring, providing sustenance and life. This Gan Eden, this World to Come (Olam ha-Ba), is the ultimate reward awaiting those who have lived righteously.

That phrase, "from soul to soul," is especially intriguing, isn't it? It might hint at the concept of gilgul (the reincarnation of souls), what we often call reincarnation – the transmigration of souls. The idea that a soul can be reborn, taking on different forms and experiences across lifetimes. But it could also refer to a uniquely Hasidic concept: the combining of sparks of souls. The notion that souls can intermingle, sharing and merging their spiritual energies.

So, what do we make of all these beautiful and complex visions? They offer us not a literal map of the afterlife, but rather a glimpse into the profound possibilities that await us. They remind us that our actions in this world have lasting consequences, and that the pursuit of righteousness leads to an unimaginable reward. These stories, drawn from texts like the Zohar, Midrash Rabbah, and Ginzberg’s Legends of the Jews, offer not just comfort, but also a powerful call to live a life worthy of such an extraordinary journey.

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Zohar 3:135bZohar

There's a place, a hidden realm, far beyond our everyday perception, where souls reside in a truly remarkable way.

A field. Not just any field, but one overflowing with life, with trees of unimaginable splendor and grass shimmering with holiness. This isn't a field of ordinary plants, though. According to Tree of Souls (Schwartz), this is a field where wondrous trees grow, and the trees and grass are holy souls. This field, this Treasury of Souls, is where souls grow and flourish. It's a vision of paradise, a kind of Gan Eden, the Garden of Eden, where souls both originate and eventually find their eternal rest.

What happens when souls stray? What happens when they find themselves outside this idyllic space?

There are many naked souls who wander beyond the borders of this field, lost and yearning for repair. These are souls exiled from the Garden, adrift in our fallen world. The Zohar, that foundational text of Kabbalah, often speaks of the exile of the Shekhinah, the Divine Presence, and this imagery resonates with that concept. Even the greatest soul, it's said, struggles to return to the field once it's departed.

Think of it: a soul, separated from its source, exposed and vulnerable, calling out for help. And who answers that call?

The text introduces us to the "field master," the one who dedicates themselves to tikkun (spiritual repair) – that crucial Hebrew word meaning "repair" or "restoration". The exiled souls cry out for this field master, for someone to set things right. But this isn't an easy task. It demands unwavering dedication and immense courage.

Rabbi Nachman, whose teachings this allegory reflects, suggests that this field master can only complete this sacred work through his own death. He must endure countless afflictions. Yet, in the end, he will succeed in the work of the field and ultimately prevail.

Who is this figure? Well, in Jewish tradition, this figure represents the Tzaddik, the righteous individual, in general. But more specifically, it alludes to Messiah ben Joseph. Now, Messiah ben Joseph isn't as widely known as Messiah ben David, the heavenly Messiah who will usher in the End of Days. But Messiah ben Joseph plays a critical role: he paves the way. His task, as we find in "The Two Messiahs" (p. 517), is to prepare the world for the ultimate redemption. And, tragically, it's his fate to die while engaged in this messianic mission.

This allegory, then, becomes a powerful call to action. As Ginzberg tells us in Legends of the Jews, the longing and prayer for the coming of the Messiah is a central theme in Jewish thought. We are called to yearn for the one who will repair all souls in need, who will restore the world to its intended state of harmony and wholeness.

So, what does this mean for us? Perhaps it's a reminder that we all have a role to play in tikkun olam, repairing the world. Maybe it encourages us to be steadfast and courageous in our own lives, even when faced with adversity. And perhaps, most importantly, it reminds us to never lose hope in the possibility of redemption, for ourselves and for all souls wandering in the wilderness.

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Zohar 3:128bZohar

One of the most vivid? The Tree of Souls.

Deep within Paradise, there stands a magnificent tree. Not just any tree, but a Tree of Souls, resplendent with blossoms of pure, nascent being. An angel, the Guardian of Paradise, sits beneath its branches, watching over this sacred grove. And all around, the four winds of the world dance and swirl.

This isn't just whimsical imagery. It's a profound statement about the source of life itself. As it says in (Hosea 14:9), "I am like a cypress tree in bloom; your fruit issues forth from Me." This verse, according to tradition, speaks of God as the ultimate source, the very ground from which our souls emerge.

The Zohar, that foundational text of Kabbalah, gives us glimpses into this mystical realm. And as Louis Ginzberg retells the story in Legends of the Jews, we begin to understand the depth of this imagery. The roots of this celestial tree, nurture the souls of all the righteous. Their names are inscribed there, a evidence of their potential, their inherent goodness waiting to be revealed.

And as these souls ripen, they descend into what's called the Treasury of Souls. Think of it as a celestial waiting room, a place of preparation, where they are held until the moment they are called upon to be born into the world.

This idea, that all souls are the fruit of the Holy One, blessed be He, is powerful. It suggests a direct connection, a divine lineage that binds us all together. The Tree of Souls produces every single soul that has existed, and every soul that will exist.

But here's the kicker: tradition teaches that when the very last soul descends from the Tree, when the Treasury is finally empty… then the world, as we know it, will come to an end.

Woah. Heavy stuff. Rabbinic and Kabbalistic texts often speculate about the origin of souls being somewhere in heaven. This myth of the Tree of Souls gives us a powerful, symbolic "where." It fuses together so many traditions.: we have echoes of the Garden of Eden, that primordial paradise. And we have the idea that just as there's an earthly Garden, there's a corresponding heavenly one, a mirror image reflecting the divine realm. Midrash Rabbah, that collection of rabbinic interpretations, constantly draws parallels between the earthly and the celestial.

So, what does this all mean for us, here and now? Perhaps it's a reminder that we are all interconnected, that we all share a common origin. That each of us carries within us a spark of the divine, a fruit born from the Tree of Souls. And maybe, just maybe, it's a call to live our lives in a way that honors that sacred source, knowing that our choices, our actions, contribute to the unfolding of creation itself. Because one day, the very last soul will descend, and what kind of world will it be entering? That, my friends, is up to us.

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