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Three Vials of Fish Blood and the Sorceress at the Window

A speaking fish fills three vials with its blood, and the triplet sons it gives a poor fisherman ride one by one into a sorceress house no man walks out of.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The Eldest Rides Out and Kills a Lion
  2. The House No One Walks Out Of
  3. The Second Brother Walks Into the Same Snare
  4. What Was Truly His Own

The net came up heavy, and inside it a fish opened its mouth and spoke. "Cut me open," it said, "and catch my blood in three bottles. Keep them where no light reaches them. You will take a wife, and she will bear you three sons in a single hour, and whenever one of those sons stands in danger, the blood in his bottle will go black." The fisherman stood on the wet stones with the creature thrashing against his arm, and he did exactly as the mouth in the water told him.

He bottled the blood. He stoppered the three vials and set them on a shelf in the dark of his hut. And within the year his wife lay down and rose with three boys, born so close together and so alike that the midwife could not say which had come first. Their mother washed them and could not mark them apart. Their father held all three and felt only that he was holding the same child three times. They grew that way, one face wearing three bodies, and the vials waited on the shelf, red as the day they were filled.

The Eldest Rides Out and Kills a Lion

When they were grown the eldest took the road. He came to a town wrung dry by fear, because a lion had been carrying off its young women, and the king had sworn his daughter to whoever could kill the beast. The young man knew nothing of the king or the promise. He only met the lion in the woods, and he fought it there among the trees, and he left it dead in the leaves, and he walked on whistling.

An old man had crouched in the brush and watched the whole fight. When the road was empty he crept out, sawed the head from the carcass, carried it to the palace, and laid it before the throne. "I am the one who killed it," he said. The king believed him. The wedding was prepared. But the true hero, in the next town over, heard the proclamation read aloud in the square, turned his horse around, and came back to call the liar what he was. He showed the body in the woods, headless and clawed where his own blade had gone in. The old man had no answer. The young man married the princess, and for a while the shelf in his father's hut stayed red.

The House No One Walks Out Of

One morning he stood at the palace window and saw a building far off across the fields, and he asked what it was. "That is the house of a sorceress," they told him. "Whoever goes in does not come out." He should have heard a warning. He heard an invitation. He saddled up and rode to the gate.

An old woman sat inside beside a great fire, hugging herself and complaining of the cold though the flames were roaring. A black dog lay at her feet. "Be kind to an old woman," she said. "Pluck one hair from that dog and throw it on the fire for me." He reached down. The instant his fingers closed on the dog's hair, ropes came alive out of the floor and the walls and bound him hand and foot. A wizard stepped out of the shadow, the kind of master who keeps his power in hairs and names and the burning of small things, and he carried the young man into a locked chamber and turned the key.

That night the first vial on the shelf went black. The fisherman took it down and held it and knew his son was somewhere past saving by ordinary means.

The Second Brother Walks Into the Same Snare

He sent the second son to find the first. The boy rode to the palace, and the princess, who could no more tell the brothers apart than the midwife had, met him as her husband and led him to her table. She told him everything, the far house, the warning, the morning her husband rode out and did not return. He listened, and then he did what blood and likeness pushed him to do. He rode the same road to the same gate.

The old woman shivered by the same fire. "Pluck me a hair from the dog," she said, and he leaned down, and the ropes took him, and the wizard came, and the second chamber closed. On the shelf the second vial darkened. Two reds remained, and only one of them belonged to a son still free.

What Was Truly His Own

The fisherman sent the third. This one did not ride empty-handed. He brought a dog of his own and a horse of his own, and at the sorceress's gate he tied them outside and went in alone. The old woman sat by her fire and shivered her old shiver. "Pluck a hair from my dog," she said, "and feed the flame."

He bent toward the black dog as if to obey. But his hand went past it, out the door, to his own animal waiting at the post, and it was a hair from his own dog that he carried back and dropped into the fire. The flame took it. And the spell, which fed only on what belonged to the house, found nothing of the house in the offering and broke apart in the woman's hands. The ropes did not rise. She stared at him. He drew his sword and killed her where she sat, then put his shoulder to the locked doors and broke them open one after another. Behind them he found his two brothers, and behind the next his brothers' shapes multiplied into a crowd, dozens of men the house had swallowed and never released. He cut them all loose.

The three returned together to the palace, three faces that were one face, and the princess looked at them and at last the eldest stepped forward and she knew her husband among his brothers. And in the dark hut by the sea the fisherman climbed onto a stool and watched all three vials flood back to red, bright as new blood, and he set out to find his sons and bring them home.


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The texts this telling draws on, in full. Open a card to read inline, or expand it for a wider, quieter read.

Gaster, Exempla of the Rabbis, No. 373; Codex Gaster 130The Exempla of the Rabbis (1924)

A poor fisherman cast his net and pulled up a great fish. As he lifted it from the water, the fish spoke. Cut me open, it said. Gather my blood in three bottles. Keep them safely. You will marry, and your wife will bear you three sons at once. Whenever one of the three is in danger, the blood in his bottle will change color.

The fisherman obeyed. In time his wife gave birth to triplets so identical that no one could tell them apart. Even their parents could not mark which boy was which. They grew up together and became men.

The eldest set out to seek his fortune. He came to a town being terrorized by a lion that devoured the young women. The king had promised his daughter to whoever killed the beast. The young man did not know about the offer. He found the lion, fought it, and killed it in the woods. Then he walked on.

An old man who had watched the fight from a hiding place took the lion's head, carried it to the court, and claimed the bounty. The king prepared to give his daughter to the impostor. The real hero heard the proclamation in a neighboring town, returned, exposed the old man's lie, and married the princess.

One day, from the palace window, he saw a distant building and asked what it was. That is the house of a sorceress, he was told. Anyone who enters never comes out. He rode there. An old woman was sitting by a great fire complaining that she was cold. She asked him to pluck a hair from the black dog sitting beside her and throw it into the fire. As soon as his hand touched the hair, ropes rose up and bound him. A wizard appeared and locked him in a chamber.

Back at the fisherman's home the first bottle of blood went dark. The father sent the second brother to search. The princess, deceived by the identical appearance of the brothers, treated him as her husband and told him what had happened. He too rode to the sorceress's palace and fell into the same trap. The second bottle darkened.

The father sent the third brother. He brought a dog and a horse of his own. At the gate, he tied them outside. He entered the palace. The old woman asked him to pluck a hair from her dog. He pretended to comply, but instead plucked a hair from his own dog, and threw that into the fire. The spell shattered. He drew his sword, killed the sorceress, broke into the chamber, and found his two brothers imprisoned with dozens of other captives. He freed them all. The reunited brothers returned to the princess. The eldest recognized her as his wife. The father at home saw the three bottles of blood turn bright red again. He went to find them, and they all lived happily together.

This remarkable Jewish folk tale from Codex Gaster 130, preserved in The Exempla of the Rabbis (Gaster, 1924), is one of many medieval Jewish versions of the widespread Two Brothers folk pattern. It teaches that cleverness saves where brute obedience fails. A borrowed hair will not break the spell. Only what is truly yours will.

Full source
Gaster, Exempla of the Rabbis No. 365The Exempla of the Rabbis (1924)

Gaster's exemplum No. 365 preserves one of the most vivid Kabbalistic legends from medieval Ashkenazi Jewry, a tale about the Chasidei Ashkenaz, the mystics of the Rhine Valley in the 13th century, and their famous encounter with the great philosopher Rambam, Maimonides, in Egypt.

The evening before Passover, Rabbi Eliezer of Worms, author of the mystical work Sefer HaRokeach, told his students he intended to travel to Egypt to meet Maimonides before the Seder. His students were astonished. The journey takes months by caravan; Passover was hours away.

Eliezer was a master of the practical Kabbalah. He uttered certain Names, conjured a cloud, mounted it, and was carried in the blink of an eye to Fustat in Egypt, where Maimonides lived.

That evening Maimonides invited a strange, unannounced Ashkenazi Jew to his home for the Seder. Throughout the Haggadah, Maimonides discoursed philosophically on the meaning of each passage, his signature mode, all reason and rigor. Rabbi Eliezer sat silently and never opened his mouth.

Maimonides, a master diagnostician of the intellect, concluded that this guest must be a simple unlearned man, probably an ignorant Ashkenazi, perhaps a poor refugee. He felt a little sorry for him.

In the morning, wanting to protect the stranger, Maimonides warned him not to walk through a certain street on the way to the synagogue, because the authorities had decreed that any Jew found on that street would be burned alive. Rabbi Eliezer nodded. And walked directly down that street. He was arrested and condemned to burn.

On the way to the execution, he stopped at Maimonides's door and asked him to wait before making the midday Kiddush; he would return. Maimonides now decided the man was mad. But he waited.

At the market, through his Kabbalistic power, Eliezer transformed the face of one of the governors, a known persecutor of Jews, into his own face. He gave his own face to the official. The official, now appearing to be Eliezer, was burned. Eliezer, wearing the governor's face, walked away unharmed.

At the appointed time he appeared at Maimonides's door, resumed his own form, and explained the whole affair. He had come, he said, to demonstrate to Maimonides that the practical Kabbalah was real, that there were whole levels of Torah the great philosopher had rejected as superstition. Maimonides, who had famously resisted Kabbalistic claims, was converted on the spot.

The legend concludes: Rabbi Eliezer stayed a year in Egypt, and Maimonides became a student of Kabbalah.

The story is almost certainly unhistorical. Maimonides died in 1204, and Eliezer of Worms died around 1230, but they never met. And yet the medieval Kabbalists loved this tale because it was their thesis in story form: rationalism alone is not the whole Torah. Somewhere above the reasoning mind, a cloud is waiting to carry the righteous across the sea in an evening.

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