Laban went tent by tent. First Jakob's, then Leah's, then the tents of the two concubines. Nothing. And he went out from the tent of Leah, and entered the tent of Rahel (Genesis 31:33).
Targum Pseudo-Jonathan lets the choreography speak. Every other space had been turned over. The idols were nowhere. And Laban saved the most intimate room for last: the tent of the wife Jakob loved most, where the floor had just been covered by a camel's saddle.
You can feel the tension in the sequence. Each empty tent tightens Laban's frustration. Each empty tent brings him closer to Rahel's door. The house of the favored daughter is the final search, and the one where the missing objects are actually hidden.
The Maggid teaches: the thing you are chasing is almost always in the last place you look — and often in the place you would least suspect. Rahel's tent, the sanctuary of her father's most beloved child, was the exact room where her father's gods had vanished. Grace and guilt can share the same small space.