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Balaam Blessed Israel and the Tikkunei Zohar Stopped Cold

Balaam said God sees no sin in Jacob. The Tikkunei Zohar could not move past it. How can a God who sees everything see nothing when He looks at Israel?

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. Balaam Stands on the Hilltop Above the Camp
  2. Two Verses That Seem to Contradict
  3. What Hiding Looks Like From Below
  4. Balaam Builds Seven Altars to Outdo the Patriarchs

Balaam Stands on the Hilltop Above the Camp

Balak king of Moab had hired him to curse. He had brought Balaam to three different hilltops above the Israelite camp, built altars at each one, and waited while Balaam went off to receive whatever word he could bend into a curse. Each time, the word that came out was a blessing. The mouth and the mind were fighting each other. The mind wanted to curse because it had been paid to curse. The mouth spoke what it was given to speak.

The third time, Balaam looked toward the desert and spoke the words that the tradition could not simply absorb and move on from: God has not seen sin in Jacob, and He has not beheld perversity in Israel. A hired enemy standing above the camp, fighting against his own words, declared that when God looks at this people, He registers no sin. Not that they have not sinned. Not that they are innocent of all wrongdoing. But that God looks and does not see. The Tikkunei Zohar, compiled in thirteenth-century Castile, encountered this verse and froze.

Two Verses That Seem to Contradict

There is a verse in Psalms that says God hides His face and never sees. The Tikkunei Zohar places it beside Balaam's blessing and finds the two statements saying the same thing from opposite directions. Balaam says God looks at Israel and sees no sin. Psalms says God hides His face and sees nothing at all. One describes God looking toward the people and finding no sin to register. The other describes God turning His face away as if the world were dark. How can both be true?

The Tikkunei Zohar's answer is Kabbalistic and exact. The hiddenness of God is not absence. It is a specific condition of the divine structure in which the infinite light has contracted behind a veil, not because it does not exist but because the world cannot absorb it at full intensity. God hides His face not in abandonment but in protection: if the face were fully turned toward the world, the world would dissolve in the proximity. The hiding is structural, the same process by which the first light of creation was concealed before the sun and moon were made.

What Hiding Looks Like From Below

When God hides His face, from the human perspective this looks like darkness, absence, the divine gaze withdrawn. But from the divine perspective, the hiding is a form of attention. To turn your face carefully away from something you do not want to damage is not indifference. It is care operating through restraint. The hiddenness of God in this reading is the same as Balaam's observation: God looks at Israel in a way that does not register sin. The hiding of the face is the specific posture that allows mercy to operate without the overwhelming of strict judgment.

Strict judgment, Gevurah, sees everything clearly. Every transgression is registered, every departure from the divine will is counted. If God looked at Israel with the full force of judgment, the count would be devastating. What Balaam saw, what forced the blessing out of his cursing mouth, was the alternative divine mode: the face that looks without registering, the gaze that sees through sin to the root of the person beneath it, the hidden face that in its hiddenness performs a more thorough act of mercy than any visible mercy could accomplish.

Balaam Builds Seven Altars to Outdo the Patriarchs

Before the blessings came, Balaam had tried to bend the situation toward his employer's purpose. He built seven altars on each hilltop, seven bulls and seven rams. The tradition noted that this mirrored the patriarchs: Abraham, Isaac, and Jacob had each built altars and offered sacrifices. Balaam was attempting to outperform them at their own practice, to create a stronger claim on the divine attention through sheer quantity of sacrifice. He offered twenty-one altars in total across the three attempts, and what he received for his efforts was three blessings.

The Tikkunei Zohar reads the altars as evidence of Balaam's fundamental misunderstanding of how the divine attention operates. The patriarchs built their altars in response to the divine presence, after encounters, as expressions of gratitude and consecration. Balaam built his altars as leverage, as a contractual offer to a divine power he believed could be negotiated with quantitatively. The blessing that burst from his mouth each time was the divine correction of this misunderstanding: the number of altars is irrelevant. The gaze that sees no sin in Jacob operates independently of any human attempt to manipulate it. The hiding of the face is not a wall that more altars can breach.


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From the tradition

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The texts this telling draws on, in full. Open a card to read inline, or expand it for a wider, quieter read.

Tikkunei Zohar 101:24Tikkunei Zohar

Jewish mysticism often explores this very idea, the hiddenness of God, the hiddenness of ourselves. And sometimes, that hiddenness is tied to moments of judgment, moments when things feel...off. to a fascinating little snippet from the Tikkunei (spiritual repair) Zohar, a core text of Kabbalah that expands on the original Zohar. Here, we're exploring a verse from the Torah and a verse from Psalms, linking them to some pretty intense spiritual concepts.

The Tikkunei Zohar zeroes in on Balaam, that ambiguous prophet in the Book of Numbers. Remember him? The one hired to curse the Israelites, but who ends up blessing them instead? He says, "He has not seen sin in Jacob, nor has He seen perversity in Israel" (Num. 23:21). Seems straightforward. God doesn't see the Israelites' flaws. But the Tikkunei Zohar takes a sharp turn. It equates "perversity and sin" with Samael (the angel of death) and the snake.

Whoa. Samael is often considered the angel of death or a powerful, adversarial force. And the snake? Well, that brings us right back to the Garden of Eden and the whole story of temptation and the introduction of evil into the world. So, what's the Tikkunei Zohar trying to tell us?

It suggests that even when things look rosy The first reading – when Balaam is proclaiming Israel's innocence – these darker forces are still present, lurking beneath. They are the "sin" and "perversity" that God, in a sense, chooses not to see.

But the passage doesn't stop there. It goes on to say that when these forces "oppress Her so-as-to look upon Her, She is self-concealed from everything." Who is "Her"? In Kabbalah, this often refers to the Shekhinah, the Divine Presence, the feminine aspect of God that dwells in the world. When negativity and judgment are rampant, the Shekhinah withdraws. The Divine Presence becomes hidden.

And when does this happen? “In the seventh month.” The text then quotes (Psalm 81:4): "Blow the ram’s horn on the New Moon, on the appointed time for the day of our festival." Now, here's where it gets really interesting. The Tikkunei Zohar asks, "What is… 'on the appointed time' (keseh)?" And it answers: "In the month in which the moon is self-concealed (it-kasya)." The seventh month, Tishrei, is when we celebrate Rosh Hashanah (the Jewish New Year) and Yom Kippur, the High Holy Days. Rosh Hashanah, the New Year, is literally timed with the new moon – when the moon is at its darkest, most "self-concealed." Yom Kippur follows soon after, a day of intense introspection and atonement.

So, the Tikkunei Zohar is connecting the dots: the presence of negative forces, the hiding of the Divine Presence, and the time of year when we are called to look inward, to confront our own shortcomings and strive for renewal. The "self-concealment" of the moon mirrors the self-concealment of the Divine.

What does it all mean? Maybe it's a reminder that even in times of celebration and apparent blessings, we need to be aware of the shadows. That spiritual work isn't just about basking in the light, but also about confronting the darkness within ourselves and in the world. Perhaps, by acknowledging the "perversity and sin," by recognizing the forces that obscure the Divine, we can actually draw closer to the Shekhinah, to the hidden God. By blowing the shofar, by making noise, we can pierce the veil.

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Legends of the Jews 6:35Legends of the Jews

He's hired by Balak, a Moabite king, to curse the Israelites. Balak is terrified of them, seeing them as a threat. Balaam, knowing he can't really curse them if God doesn't allow it, tries a different tactic: flattery.

He figures he can manipulate God into giving him permission. And how does he try to do this? With sacrifices, of course! As we read in Legends of the Jews, Balaam instructs Balak to build seven altars upon the "high place of Baal."

Why seven altars? Ginzberg, in his retelling, tells us these seven altars are meant to mirror the seven altars erected by seven pious men throughout history: Adam, Abel, Noah, Abraham, Isaac, Jacob, and Moses. Quite the line-up. Balaam's trying to evoke the power and righteousness of these figures, hoping to piggyback on their merit.

He then asks God, "Why didst Thou favor these people, if not for the sacrifices that they offered Thee? Were it not better for Thee to be adored by seventy nations than by one?" In other words, "Hey God, look at all these offerings! Isn't it better to have more worshippers?" He's attempting to appeal to God's ego, suggesting that quantity trumps quality.

But God isn't buying it.

Instead, the Ruach (spirit) HaKodesh, the Holy Spirit, answers him with a proverb. Instead of being swayed by lavish displays, God says, "'Better is a dry morsel and quietness therewith, than a house full of sacrifices and strife.' Dearer to Me is a dry offering of meal than all these many flesh offerings by which thou strivest to stir up strife between Me and Israel." "A dry morsel and quietness." It's a powerful image, isn't it? God values sincerity, humility, and peace above all else. Balaam’s grand gesture, his attempt to impress with sheer volume, falls flat.

The lesson here? It's not about the size of the offering, but the intention behind it. A simple, heartfelt prayer said with genuine devotion is worth far more than a mountain of sacrifices offered with ulterior motives. Sometimes, the quiet, unassuming acts of faith speak the loudest.

So, the next time you offer a prayer, think about Balaam and his altars. Are you trying to impress? Or are you speaking from the heart?

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