Luz, the City Where Death Could Not Enter
Rabbinic legend describes a city outside the Angel of Death's jurisdiction, built where Jacob slept, guarded by a bone that cannot be destroyed.
Table of Contents
The Gate at the Edge of the City
Luz looked like any other city from a distance. It had gates and roads and records and people who had lived there long enough to know their neighbors by name. But when you looked at the histories kept inside Luz, you noticed the absence. No war. No plague. No famine. No deaths.
The Angel of Death could not enter.
This was not a matter of holiness exactly. The Babylonian Talmud, in Tractate Sotah 46b, gives the precise mechanism: the almond tree. The entrance to Luz was concealed inside a hollow almond tree. You had to pass through the tree to reach the city, and the tree stood outside the city's boundary. The Angel of Death stopped at the boundary. He did not go inside.
The people of Luz who wanted to die had to leave. They walked out through the almond tree when they grew tired of living, past the city's edge, and then they died. The Angel was waiting for them in the open air.
Why Jacob Slept There
The city sat on the ground where Jacob stopped for the night with a stone under his head and dreamed of a ladder stretching between earth and heaven. When he woke and named the place Bethel, the house of God, he was standing in what would become Luz. The holiness that descended on the spot when God spoke to Jacob did not lift when Jacob walked on. It stayed in the soil. The Angel of Death read the place as consecrated ground and did not cross into it.
Ginzberg's Legends of the Jews, compiled from 1909 to 1938, preserves the tradition that Jacob's dream made Luz permanently sacred, and that the almond tree marking its entrance was the living border between the world where death could operate and the world where it could not.
Solomon's Scribes and the Attempt to Flee
Solomon understood Luz. The wisest king in the world knew where the Angel of Death could not go, and when the angel came for two of his scribes, Solomon sent them there.
The scribes were Elihoreph and Ahijah, the sons of Shisha. They were the keepers of Solomon's kingdom's records. One morning Solomon looked at the Angel of Death and noticed something was wrong. The angel's face showed trouble. Not regret, which would have been unusual enough, but something stranger: disappointed expectation. The king asked him what he was looking for. The angel named the scribes.
Solomon sent them to Luz immediately. They left the palace and traveled through the almond tree's hollow and into the city where the Angel could not follow. Solomon assumed he had won.
The next morning the Angel of Death appeared in the palace looking satisfied. "Where were they?" Solomon asked. "At the gates of Luz," the angel answered. He had not entered the city. He had waited at its gate, and when the scribes walked out of the protected boundary to greet the morning, he had taken them there. Solomon had solved the problem of death by sending his scribes to its exact location at the exact moment they were expected.
The Bone That Outlasts the Body
Luz also gives its name to a bone. Rabbi Joshua ben Chanania, speaking with the Roman emperor Hadrian, was asked the question that every sage of his era was eventually asked by Rome: from what material will the dead be resurrected? If the body decays entirely, what remains to rebuild?
Rabbi Joshua said: "the Luz." A small bone at the base of the spine, the size of an almond, in the tradition shaped like the almond the city was named for. It cannot be ground by millstones. It cannot be burned by fire. It cannot be dissolved in water. He proved it to the emperor by attempting to destroy one. Nothing worked.
The bone was the seed. Every human body would be rebuilt at the resurrection from that indestructible piece, the way a plant grows from a seed. It was also, in the tradition, the bone protected by the Luz of Jacob, the city consecrated by the patriarch's dream. The almond-shaped bone and the almond-tree entrance and the city where death stops at the gate are all one image: the indestructible remnant that outlasts everything trying to destroy it.
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