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Rabbi Loew Built the Golem From River Clay and Unmade It With Letters

At two in the morning they climbed to the attic of the Old-New Synagogue. The clay still had a man's shape. They walked the other way around it.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. Clay From the Vltava
  2. The Name Came Out Each Friday
  3. The Body at the Gate
  4. Seven Circuits Backward

They went down to the Vltava at night, three men and a shovel, and took clay from the riverbank while Prague slept. Rabbi Judah Loew ben Bezalel shaped a body with his hands. His son-in-law and his most trusted student walked with him. Behind them the Josefov quarter still waited for the next planted corpse, the next mob, the next false charge that a child had died for Passover.

Rabbi Loew Built the Golem From River Clay and Unmade It With Letters Click for full size

He needed a guardian who would not tire, would not bargain, and would not speak. He needed a body that was not yet a person.

Clay From the Vltava

They walked around the form seven times, reciting the combinations they had drawn from Sefer Yetzirah, the Book of Creation, where Hebrew letters are not labels on the world but the stuff the world is made of. On the seventh circuit the clay grew warm.

The Maharal wrote the Hebrew word emet (אמת), truth, on the forehead. He put a slip bearing the Name into the mouth. The golem opened its eyes.

It could not speak. It could follow instructions. It was stronger than any man in the quarter. For an hour of the first day, the old teaching says, Adam himself had been a golem, a shapeless mass, before he received a soul and stood up. The Maharal was not making a man. He was stopping at the hour before a soul. An unformed servant. A needle without the eye.

The Name Came Out Each Friday

On weekdays the golem worked. It hauled. It watched alleys. It stood in doorways the way a bar holds a house shut. On Friday afternoons, before Shabbat began, the Maharal extracted the Name from its mouth, or erased the first letter of emet, so the clay could rest. Emet without its aleph is met (מת), death. The body went still. On Saturday night he restored it.

Once he forgot. The sun dropped. The clay kept walking. He pursued it through the streets and caught it in front of the synagogue just before Shabbat, and pulled the Name in a hurry. The golem fell in pieces. He put it back together because the quarter was not finished needing it. After that he did not forget again. A servant who cannot rest will not stay a servant.

The Body at the Gate

The charge that killed Jews was simple and hard to fight in a street. Someone planted a child's body near a Jewish gate and shouted that the blood was for Passover. Rabbis wrote defenses. Courts heard arguments. Mobs did not wait for courts.

The golem caught a butcher at the quarter's edge with a small wrapped corpse, trying to set the trap that would bring the street down on Josefov. It stood between a crowd and the houses on a night when the noise was already turning toward massacre. Whether every episode later told is the same night or many nights, the pattern held. The clay did the work it was built for. The planted evidence did not reach the gate it was aimed at.

Rabbi Loew used the imperial court as well as the river. He argued. He negotiated. He finally stood before Emperor Rudolf II and made the case against the charge in person, with enough force that Rudolf issued a proclamation forbidding the accusation. The political protection arrived. The clay's job shrank in a single sentence from a throne.

Seven Circuits Backward

On the Friday after the proclamation, when the weekly rest came due, Rabbi Loew did not restore the golem on Saturday night. A protector built for a crisis should not keep walking once the crisis has a law against it. He summoned the same two men who had been with him at the river.

At two in the morning they climbed to the attic of the Alt-Neu, the Old-New Synagogue, where the golem lay dormant. Three figures. Dim light. A body that still had a man's shape and no breath. They circled it from left to right, the opposite of the making, seven times. After each circuit they paused and chanted the spells backward, the same letter-combinations from Sefer Yetzirah, now run in reverse.

After the seventh circuit he erased the aleph. Truth became death. The golem returned to clay, still vaguely human, no warmer than the boards. They wrapped the remains in two old prayer shawls and hid them among discarded books and forgotten objects in the attic. The next day the quarter heard that the golem had run away. Only a few knew the truth.

Rabbi Loew forbade anyone to enter the attic. The official reason was fire. The real reason lay under two tallitot, waiting. He had taken a body to the hour before a soul, and then he had taken even that hour back. If the need rose again, his descendants would know what to do. Until then the clay sleeps above the sanctuary, and Prague walks past a locked door.


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The texts behind this telling. Some cards carry a translation of the source; others are our own retelling of it, and each card says which. Every card links out to the original.

Niflaot MaharalMaharal of Prague

Retold in our words. Read the original at the link below.Sefaria-hosted English translation · Public Domain

The emperor had just decreed that the horrific blood libel accusations – the false claims that Jews used blood for ritual purposes – must end. With this decree, Rabbi Loew knew the golem, the powerful being he had created to defend the Jewish community, was no longer needed.

What do you do with a golem?

In story, Rabbi Loew summoned his son-in-law and his most trusted student, both of whom had been instrumental in the golem's creation. Under the cloak of darkness, at two in the morning, they made their way to the attic of the Alt-Neu Synagogue – the Old-New Synagogue – where the golem lay dormant.

The scene: three figures, shrouded in the dim light, standing over the silent, hulking form. They began to circle the golem, moving from left to right, a ritualistic dance that mirrored the golem's creation, but in reverse. Seven times they circled. After each circuit, they paused and chanted the sacred spells – spells drawn from the Sefer Yetzirah, the Book of Creation – the very same spells used to bring the golem to life, only now recited in reverse order.

Think about the implications of that reversal. The Zohar, the central text of Kabbalah, teaches us that the letters of the Hebrew alphabet are the building blocks of creation. By rearranging those letters, by reciting the spells backward, they were dismantling the very fabric of the golem's being.

And then, after the seventh circuit, it happened. The golem, the protector, the clay giant, was no more. He was reduced to a lifeless mass of clay, still vaguely human in form. According to Niflaot Maharal, they wrapped the remains in two old prayer shawls, concealing them among the discarded books and forgotten objects in the attic. The word spread the next day that the golem had simply "run away." Only a select few knew the truth.

Rabbi Loew then forbade anyone from entering the synagogue's attic. The official explanation was to prevent fires, but those closest to the Maharal understood the real reason: the remains of the golem lay hidden there, a silent evidence of a time of danger and a reminder of the power, and the responsibility, that comes with creation. Ginzberg's Legends of the Jews is full of these kinds of stories, always reminding us of the power of the divine in creation.

And to this day, it's said that the golem's remains are still up there, in the attic of the Alt-Neu Synagogue in Prague. A potent reminder of a community's struggle for safety, and the extraordinary measures taken to achieve it. If you visited Prague, would you try to sneak a peek?

Full source
Jewish Encyclopedia, "Golem" (1906)Jewish Encyclopedia (1901-1906)

Retold in our words. Read the original at the link below.The Jewish Encyclopedia, 1901-1906 · Public Domain

This word occurs only once in the Bible, in Ps. cxxxix. 16, where it means "embryo." In tradition everything that is in a state of incompletion, everything not fully formed, as a needle without the eye, is designated as "golem" ("Aruch Completum," ed. Kohut, ii. 297). A woman is golem so long as she has not conceived (Sanh. 22b; comp. Shab. 52b, 77b; Sanh. 95a; Ḥul. 25a; Abot v. 6; Sifre, Num. 158). God, father, and mother take part in the creation of the child: the skeleton and brain are derived from the father; the skin and muscles from the mother; the senses from God. God forms the child from the seed, putting the soul into it. If the male seed is emitted first, the child is of the male sex; otherwise it is of the female sex (Nid. 31a). Although God impresses all men with the seal of Adam, there is no resemblance between any two of them (Sanh. 37a).

In the womb the navel is first formed, and from this roots spread out, until the child is fully developed. According to another opinion the head is first developed. The two eyes and the two nostrils of the embryo resemble the eyes of a fly; the aperture of the mouth is like hair (or a barleycorn). R. Jonathan says: "The two arms are like two pieces of string; the other members are combined in a mass " (Yer. Nid. 50d; comp. Nid. 25a; Soṭah 45b). Women that eat much mustard give birth to gluttonous children; those that eat many dates, to blear-eyed children; those that eat much small fish, children with unsteady eyes; those that eat clay, naughty children; those that drink beer, dark-skinned children; those that eat much meat and drink much wine, healthy children; those that eat many eggs, children with large eyes; those that eat much large fish, beautiful children; those that eat much celery or parsley, children with fine complexions; those that eat oleander, well-nourished children; those that eat paradise-apples, fragrant children (Ket. 61a). The same Babylonian amora, of the fourth century, also indicates why epileptic and otherwise defective children are born (Brecher, "Das Transcendentale, Magie und Magische Heilarten im Talmud," pp. 174 et seq.). Moral, not physical, reasons are given as the principal factors in the birth of healthy or sickly children. Decent behavior produces male children (Sheb. 18b; comp. Nid. 71a), who are also regularly produced under certain conditions ('Er. 100b; B. B. 10b; Nid. 31a, b). A dwarf should not marry a dwarf (Bek. 46a). Other references to the embryo are found in Nid. 15a, 17a, 31b, 37b, 38a, 45b, 66a; Beẓah 7a; Bek. 44b-45a; Ḥul. 127a; Ned. 20a; Pes. 112a, and passim. Unfounded hatred causes abortion and the death of the child (Shab. 32b).

The imagination of the ancient Israelites frequently turned to the birth of the first man, who was formed of dust and not born of woman. A principal passage reads as follows: "How was Adam created? In the first hour his dust was collected; in the second his form was created; in the third he became a shapeless mass [golem]; in the fourth his members were joined; in the fifth his apertures opened; in the sixth he received his soul; in the seventh he stood up on his feet; in the eighth Eve was associated with him; in the ninth he was transferred to paradise; in the tenth he heard God's command; in the eleventh he sinned; in the twelfth he was driven from Eden, in order that Ps. xlix. 13 might be fulfilled" (Ab. R. N. ed. Schechter, Text A, i. 5; comp. Pesiḳ. R. ed. Friedmann, 187b, and note 7; Kohut, in "Z. D. M. G." xxv. 13). God created Adam as a golem; he lay supine, reaching from one end of the world to the other, from the earth to the firmament (Ḥag. 12a; comp. Gen. R. viii., xiv., and xxiv.; Jew. Encyc. i. 175). The Gnostics, following Irenæus, also taught that Adam was immensely long and broad, and crawled over the earth (Hilgenfeld, "Die Jüdische Apokalyptik," p. 244; comp. Kohut, l.c. xxv. 87, note 1). All beings were created in their natural size and with their full measure of intelligence, as was Adam (R. H. 11a). According to another tradition Adam was only one hundred ells high (B. B. 75a); according to a Mohammedan legend, only sixty ells (Kohut, l.c. xxv. 75, note 5; the number "sixty" indicates Babylonian influence). When he hid from the face of God, six things were taken from him, one of these being his size, which, however, will be restored to him in the Messianic time (Gen. R. xii.; Num. R. xiii.; Kohut, l.c. xxv. 76, note 1; 91, note 3). Other conceptions, for instance, that Adam was created a hermaphrodite (see Androgynos), or with two faces ( = Διπρόσωπος; Gen. R. viii. 7), belongto the literature of dualistic speculation. For similar views, after Plato and Philo, see Freudenthal, "Hellenistische Studien," p. 69 (see Adam).

In the Middle Ages arose the belief in the possibility of infusing life into a clay or wooden figure of a human being, which figure was termed "golem" by writers of the eighteenth century. The golem grew in size, and could carry any message or obey mechanically any order of its master. It was supposed to be created by the aid of the "Sefer Yeẓirah," that is, by a combination of letters forming a "Shem" (any one of the names of God). The Shem was written on a piece of paper and inserted either in the mouth or in the forehead of the golem, thus bringing it into life and action. Solomon ibn Gabirol is said to have created a maid servant by this means. The king, informed of this, desired to punish him, but Ibn Gabirol showed that his creature was not a real being by restoring every one of its parts to its original form.

Elijah of Chelm, in the middle of the sixteenth century, was the first person credited with having made a golem with a Shem, for which reason he was known as a "Ba'al Shem." It is said to have grown to be a monster (resembling that of Frankenstein), which the rabbi feared might destroy the world. Finally he extracted the Shem from the forehead of his golem, which returned to dust (Azulai, "Shem ha-Gedolim," i., No. 163). Elijah's grandson, known as the "ḥakam Ẓebi," was so convinced of the truth of this that he raised the question as to whether a golem could be counted as one in a "minyan" (quorum; Responsa, No. 93, Amsterdam, 1712; Baer Heṭeb to Shulḥan 'Aruk, Oraḥ Ḥayyim, 55, 1). The best-known golem was that of Judah Löw b. Bezaleel, or the "hohe Rabbi Löw," of Prague (end of 16th cent.), who used his golem as a servant on week-days, and extracted the Shem from the golem's mouth every Friday afternoon, so as to let it rest on Sabbath. Once the rabbi forgot to extract the Shem, and feared that the golem would desecrate the Sabbath. He pursued the golem and caught it in front of the synagogue, just before Sabbath began, and hurriedly extracted the Shem, whereupon the golem fell in pieces; its remains are said to be still among the débris in the attic of the synagogue. Rabbi Löw is credited with having performed similar wonders before Rudolph II. ("Sippurim," p. 52; comp. Gans, "Ẓemaḥ Dawid," p. 46a, Frankfort-on-the-Main, 1692). A legend connected with his golem is given in German verse by Gustav Philippson in "Allg. Zeit. des Jud." 1841, No. 44 (abridged in "Sulamith," viii. 254; translated into Hebrew in "Kokebe Yiẓḥaḳ," No. 28, p. 75, Vienna, 1862).

It is sometimes alleged that Elijah of Wilna also made a golem, and the Ḥasidim claim the same for Israel Ba'al Shem-Ṭob, but apparently the claims are based on the similarity in the one case of the name "Elijah" and in the other of the appellation "Ba'al Shem" to the name and appellation of the rabbi of Chelm. The last golem is attributed to R. Davidl Jaffe, rabbi in Dorhiczyn, in the government of Grodno, Russia (about 1800). This golem, unlike that of R. Löw, was not supposed to rest on Sabbath., it appears that it was created only for the purpose of replacing the Sabbath goy in heating the ovens of Jews on winter Sabbaths. All orders to make fires were given to the golem on Friday, which he executed promptly but mechanically the next day. In one case a slight error in an order to the golem caused a conflagration that destroyed the whole town.

From this story it becomes probable that the whole of the golem legend is in some way a reflex of the medieval legends about Vergil, who was credited with the power of making a statue move and speak and do his will. His disciple once gave orders which, strictly carried out, resulted in his destruction. The statue of Vergil saved an adulteress, just as did the golem of R. Löw in Philippson's above-mentioned poem (J. A. Tunison, "Master Virgil," p. 145, Cincinnati, 1888).

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