Parshat Bereshit4 min read

Lilith Fled When She Saw What Eve Actually Was

Lilith circles the newly made Adam and claims him, then sees what is attached to his back. She flees to the coasts of the sea and does not return.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. Before the Separation
  2. The Apparition
  3. The Shekhinah and the Hidden Paths
  4. What Samael and Lilith Built in Exile

Before the Separation

Adam was not yet two people when Lilith first came to him. The creation the Zohar describes is not the familiar one from the plain text of Genesis: a man shaped from dust, a woman made from his rib. In this version, Adam and Eve were formed together, face pressed against the back of the other, a single body with two faces looking in opposite directions. Eve had not yet been separated out. She was there, present, but not yet distinct.

Lilith watched. She had been made too, from the same primordial stuff, and she understood herself as Adam's rightful consort. She moved toward him.

The Apparition

Then she saw what was attached to Adam's back, the figure whose face she could not see but whose nature was unmistakable. Something in the presence of Eve, even unrevealed, even still joined, registered to Lilith as a power she could not match. The Zohar is not entirely explicit about what Lilith perceived in that moment, but the effect is clear: she fled. She went to the cities of the sea and the coastal places, establishing herself as far from that presence as she could get.

This was not a strategic retreat. It was a rout. The creature who would later be the consort of the angel of death, who would exercise dominion over certain hours of the night, who would be powerful enough to make Samael's attention divided, was running. Running from what Eve was before Eve was even separate.

The Shekhinah and the Hidden Paths

The Kabbalists who developed this tradition understood Eve's nature as connected to something higher than a single human being. Before the world was made, God had gathered all the paths of divine wisdom and concentrated them, embodied them, in the Shekhinah, the feminine aspect of the divine presence. The Shekhinah carried what could not be revealed directly, holding the divine secrets in a form accessible to those who knew where to look.

Eve's creation reflected that structure. She was made as the earthly image of the Shekhinah's role: the vessel of hidden wisdom, the presence that could not be fully seen or named directly. What Lilith encountered at Adam's back was not simply another woman. It was the divine feminine as a concentrated force, the earthly echo of what the Shekhinah was in heaven.

What Samael and Lilith Built in Exile

Lilith's flight from Eve did not leave her powerless. It redirected her. Samael was the dark mirror of the divine hierarchy, the accuser who charged humanity before the heavenly court, and when Lilith came to him they built something together: a demonic system that inverted the divine one, with its own authority and its own claims on the world.

They had been made together, back to back the way Adam and Eve had been made, and like Adam and Eve they could never be fully reunited. The jealousy between them, Samael's reaching toward Naamah and other consorts, Lilith's reaching toward mortal men in retaliation, was the dark version of the love story that played out in the garden. On Yom Kippur they went out separately, each seeking connections that should have been found in each other.

Two Liliths, the Pardes Rimmonim says. One consort of Samael, one consort of Ashmedai the king of demons. The duplication is its own kind of wound: even in the demonic realm, the one who should have been singular has become multiple, scattered, unable to hold herself together the way Eve was held together even before she was separated from Adam.


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From the tradition

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The texts this telling draws on, in full. Open a card to read inline, or expand it for a wider, quieter read.

Zohar 1:19b, 3:19aZohar

I'm talking about Lilith.

The tales surrounding Lilith are wild and varied, and one particular story, found woven within the mystical threads of the Zohar (1:19b), paints a fascinating picture of her encounter with Adam... and a rather unusual Eve.

God creates Adam, but it's not quite the Adam The familiar version gives us. According to this tradition, Eve wasn't yet a separate being. Instead, she was attached to Adam's back! Some accounts go even further, suggesting she wasn't fully "real" yet, merely an apparition, a vision of perfect beauty "like that of the realms above." It's a truly striking image, isn't it? A being both male and female, whole and yet… incomplete. This idea seems to stem from the verse in (Genesis 1:27): "In the image of God He created him, male and female He created them."

Enter Lilith. She approaches Adam, perhaps with the intention of seduction, thinking he's alone. But then, she sees Eve. Not a fully formed woman standing beside him, but this… image attached to his back.

What happens next? Lilith flees.

But why? Was she simply intimidated by the fact that Adam wasn't alone? Or was it something more? The Zohar suggests that Eve’s beauty, being the image of God (tzelem in Hebrew), far surpassed Lilith’s own. It’s as if she recognized a divine perfection she couldn't compete with. Gershom Scholem, a renowned scholar of Kabbalah, even proposed that tzelem signifies a kind of astral body, adding another layer of mystique to Eve’s ethereal form.

So, where does Lilith run? According to this story, she flees to the cherubim, the angelic beings who guard the gates of the Garden of Eden, as described in (Genesis 3:24). Why she sought them out remains a mystery. Perhaps she desired a human body herself, or perhaps she thought she could somehow gain entry into the Garden. Whatever her intentions, the cherubim turn her away.

And then, God steps in. He sends Lilith to the depths of the Cities of the Sea. There she remains, exiled, until Adam and Eve commit their fateful sin. With their transgression, God frees Lilith from her watery prison, allowing her to roam the world. She returns to the cherubim, lingering near the fiery, ever-turning sword that guards the way to the Tree of Life. She's close, but still shut out.

The story doesn't end there. Some say she still bides her time, emerging when the moon wanes, seeking revenge on the children of Eve. But others believe God has exiled her again, to the Cities of the Sea, until the prophesied destruction of Rome. Only then, they say, will God bring Lilith from the depths and settle her in Rome's desolate ruins.

The Zohar (3:19a) offers another perspective, describing Eve as being fastened to Adam's side when God breathes the breath of life into him. This act infuses his body with a living soul. Here, the female, still connected to the male, almost feels like what Carl Jung called the anima – the feminine side of a man that he must integrate to achieve wholeness. Eventually, however, God separates them, "preparing" Eve as an independent person, perhaps transforming her from image to living being, or, as some midrashim (rabbinic interpretive commentary) suggest, preparing her as a bride for Adam (Gen. 2:22).

Kabbalistic thought offers a broader understanding, viewing Lilith not just as a demoness but as the embodiment of the Sitra Ahra, "the Other Side," the realm of darkness and demonic power. Eve, in contrast, represents the world of holiness.

What are we to make of this strange and evocative tale? It's a reminder that the stories we think we know often have hidden depths, filled with complex characters and challenging ideas. The story of Lilith's flight from the apparition of Eve forces us to consider the nature of creation, the meaning of image, and the eternal struggle between light and shadow within ourselves. It reminds us that even in paradise, there's always more than one story unfolding.

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Sefer ha-Bahir 63Sefer HaBahir

And what is His heart? He said to him: If so, Ben Zoma is on the outside, and you are with him. "Heart" [lev] is thirty-two, and they were hidden, and with them the world was created. What is the thirty-two? He said to him: thirty-two paths. A parable: like a king who was in the innermost chambers, and the number of the chambers was thirty-two, and for each chamber there is a path. Is it fitting for this king that everyone enter his chamber by way of his paths? You said no. Is it fitting for him to reveal his pearls and his settings and his hidden things and his treasures and his precious things? You said no. What did he do? He touched the daughter and included in her all the paths and in her garment, and whoever wishes to enter within, let him look here. And he married her to the king, and also gave her to him as a gift. Sometimes, in his love for her, he calls her "my sister," because they were from one place; and sometimes he calls her "his daughter," because she is his daughter; and sometimes he calls her "my mother."

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Kabbalot Rabbi Ya'akov ve-Rabbi Yitzhak by Jacob ben Jacob ha-KohenKabbalistic Literature

A fascinating, and frankly unsettling, corner of Jewish mystical tradition: the story of Samael (the angel of death) and Lilith.

It's a story of intertwined destinies, jealousy, and the birth of something truly terrifying. Kabbalot Rabbi Ya'akov ve-Rabbi Yitzhak, written by Jacob ben Jacob ha-Kohen (a priest), tells us that Samael and Lilith weren’t created separately, but born together, much like Adam and Eve were originally formed as one being.

Lilith, in this version, isn't solely paired with Samael. Ashmedai, the king of demons, also has a claim on her, specifically Lilith the Younger. This Lilith is described as a stunning beauty from the head down to the waist, but below? Burning fire. Can you picture that image? It's a potent symbol of uncontrolled passion and destructive power.

Picture the scene: Samael becomes intensely jealous of Ashmedai because of this younger Lilith. And this, we're told, pleases Lilith immensely! Why? Because she thrives on inciting conflict, especially the conflict between herself and her “mother,” perhaps the original Lilith or another manifestation of the feminine divine. It’s a twisted, complex web of relationships, fueled by envy and a desire for chaos.

From the union of Ashmedai and Lilith the Younger, a monstrous prince is born in heaven: Alefpeneash. He rules over eighty thousand destructive demons, and his face burns with pure rage. We’re told that had he been created whole, without some form of divine intervention holding him back, the world would have been destroyed in an instant. The sheer potential for annihilation concentrated in this one being.

The text goes on to explain that Samael (who, remember, is also considered one of the names of Satan) and Lilith represent the negative, or dark, male and female sides of the Sitra Ahra (סִטְרָא אָחְרָא), the "Other Side." They're like an evil mirror image of God and the Shekhinah (שְׁכִינָה), the divine feminine presence. So intertwined are they that, as we mentioned earlier, they're compared to Adam and Eve being created back-to-back.

This isn't just a bizarre story for its own sake. It's a powerful metaphor for the forces of chaos and destruction that exist alongside creation and order. It’s a reminder that even within the divine realm, there's a shadow side, a potential for imbalance and negativity. The tale of Samael and Lilith, and their monstrous offspring, challenges us to confront these darker aspects of existence and to strive for balance and harmony in our own lives. It urges us to recognize the potential for destruction, both within ourselves and in the world around us, and to choose a path of light and creation instead.

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Pardes Rimmonim 186dPardes Rimonim

Some traditions suggest there isn't just one Lilith, but two!

It's Yom Kippur, the holiest day of the year, a day of atonement and intense prayer for the Jewish people. But, according to some Kabbalistic traditions, there's a cosmic drama unfolding simultaneously. the Pardes Rimmonim tells us that two Liliths exist: One is the spouse of Samael, the often-dark angel, and the other is the spouse of Ashmedai, the king of demons.

What do these two Liliths do on Yom Kippur? They venture out into the desert, letting loose with ear-splitting screeches! And when they meet, oh boy, do they clash! According to Kabbalot in Mada’ei ha-Yahadut, they quarrel fiercely, their voices escalating until they reach the heavens, and their clamor shakes the very earth.

Why all the noise and fighting? It might seem chaotic, but there's a divine purpose at play. As we find in myth, God arranges this desert showdown so that these two Liliths are too busy with each other to accuse Israel while they are deep in prayer on Yom Kippur. It's like a celestial distraction, ensuring the people can connect with God without demonic interference.

Some Kabbalistic texts even give them different names: Grandmother Lilith the Great and Little Lilith. This idea of two Liliths springs from separate traditions, one linking her to Samael and the other to Ashmedai. After all, according to Ginzberg's retelling in Legends of the Jews, one of Lilith's “specialties” is to distract men with impure thoughts while they are at prayer. This way, God makes sure Lilith cannot do just that on Yom Kippur by sending the two Liliths out into the desert, where they screech and struggle with each other.

This myth of the two Liliths being sent into the desert on Yom Kippur has parallels with another ancient ritual: the scapegoat. Remember the scapegoat from Leviticus? (Lev. 16:20-22). It was sent out into the wilderness to Azazel, a male demon, carrying the sins of the people. In this version, the male demon is replaced with a female demon, Lilith.

It reminds us of other dualistic concepts in Jewish thought, like the two Messiahs – Messiah ben Joseph and Messiah ben David.

Perhaps this tale of the two Liliths is a reminder that even within the shadows, there can be a divine plan at work. Maybe the internal struggles we face, the conflicting voices within ourselves, can sometimes serve a higher purpose, preventing us from succumbing to even greater distractions. What do you think?

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