Bezalel built the Ark, the Table, the Candelabrum, and the Incense Altar in (Exodus 37:1-29). The Hebrew text describes each object's dimensions. The Targum Jonathan explains how a human being could possibly construct items that belonged in heaven.
The Ark was overlaid with pure gold inside and out, with a crown of gold running around its rim. But the Mercy Seat on top received the Targum's most significant addition. Bezalel made two cherubim of beaten gold, and "they were not separated from the mercy seat; but by the wisdom of the Spirit of prophecy, he made the cherubim on its two sides."
That phrase changes everything. Bezalel did not simply hammer gold into angel shapes. He worked under direct prophetic guidance, the Spirit of prophecy directing his hands as he formed beings that no human had ever seen. The cherubim were "face to face," their wings spreading upward to overshadow the Mercy Seat, and the Targum insists their creation required something beyond craftsmanship.
The Candelabrum was beaten from a single talent of pure gold, an engineering marvel. The Targum follows the Hebrew closely here, describing its cups, apples, and lilies, its six branches extending from a central shaft. But the emphasis on "one beaten work" underscores that the entire menorah was shaped from a single piece of gold, hammered into shape without welding or joining.
The Table received a golden crown, the Incense Altar received a golden crown, even the border of the Table had its own crown. The Targum portrays Bezalel's workshop as a place where gold was shaped into crowns at every scale, as if every sacred object needed to be recognized as royalty.
The chapter ends with Bezalel making "the sacred oil of anointing, and the pure sweet incense, the work of the perfumer." A carpenter who was also a goldsmith, a prophet, and a perfumer. The Targum's Bezalel was the most impossibly talented person in the wilderness.