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Before the Sin, Adam Was Not Afraid of the Voice

Before Adam ate, God's voice was quiet. After, it cracked through the trees like thunder. Solomon later needed sixty armed men just to fall asleep.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The same voice, a different receiver
  2. Sixty men with swords on their thighs
  3. Seven layers of fire at Sinai
  4. The prophets who bent letters

The same voice, a different receiver

Adam walked in the garden and heard God's voice and was not afraid. That was before. After he ate from the tree, he heard the same voice and ran behind the bushes and hid among the trees. He was not afraid of something new. He was afraid of the same thing he had always heard, but he had changed, and the change rewrote what the voice meant when it landed on him.

Rabbi Avin, reading the Song of Songs through the frame of Bamidbar Rabbah, pressed this into a principle. Before the sin, the divine voice was gentle and accessible. After the sin, it was thunderous and unbearable. The decibel level did not change. The capacity of the listener changed, and the gap between what he was and what the voice required became audible.

Sixty men with swords on their thighs

The wisest king in Israel surrounded his bed with armed guards before he could sleep. The verse in Song of Songs is specific: sixty valiant men standing around Solomon's bed, their swords drawn, each one trained in war, each one there because of fear in the nights.

Rabbi Shimon ben Yochai read that verse and named what Solomon was afraid of. Not assassins. Demons. The man who had once commanded shedim to carry stones for his Temple, the man who knew the name that bound them and the name that released them, could not close his eyes in his own palace without armed men forming a ring around him.

The midrash held this up as the same rule Adam lived by. Before a person sins, the world is afraid of them. After, they are afraid of the world. Adam named the animals and they came to him. The same Adam later hid from the sound of footsteps in the garden. The king who commanded demons later needed a human garrison to get through the night.

Seven layers of fire at Sinai

The principle had a collective version as well. When Israel stood at Sinai before the golden calf, the Torah says they saw the mountain burning with fire all the way to the heart of heaven, wrapped in darkness, cloud, and thick fog. The rabbis counted seven layers of flame, seven partitions of devouring fire, and Israel stood at the base of it and did not flinch. The fire was real. The people were not afraid because they were still who they had been when they crossed the sea.

After the calf was cast and the tablets smashed and the ground opened under the rebels, the same nation who had stood unflinching at Sinai could barely look at Moses' face without asking him to cover it with a veil. The fire at Sinai was not more dangerous after the calf. The people were less able to receive it. The veil Moses wore on his way down the second mountain was the same veil Adam's leaves were the rough draft of.

The prophets who bent letters

Five letters in Hebrew write differently at the end of a word than they do in the middle. Mem, nun, tzadi, peh, kaf. The rabbis asked who made them that way. Their answer was not a grammarian. It was a prophet.

The bent forms of the letters were opened up as hidden channels, sealed communications left inside the alphabet by prophets who knew that the full meaning of redemption could not be written in the same letters that recorded the fall. The double-mem linked to Isaac, who would be mighty in two worlds. The double-nun to Jacob, who asked to be delivered in both worlds. The double-peh to Israel, where God told Moses: I have remembered you twice over. The double-tzadi pointed toward the future, toward a Tzemach, a growth, a redeemer, whose name would only be legible when the final-form letters were finally opened.


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From the tradition

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The texts this telling draws on, in full. Open a card to read inline, or expand it for a wider, quieter read.

Bamidbar Rabbah 11:3Bamidbar Rabbah

Jewish tradition has a lot to say about that moment – that before and after. And it all starts with a verse from Song of Songs: "Behold the bed of Solomon..." (Song of Songs 3:7).

Bamidbar Rabbah 11, a section of the ancient Midrash (rabbinic interpretive commentary), uses this verse as a jumping-off point to explore how our relationship with the world, and even with the Divine, changes when we sin. It's a profound shift in perception, a loss of innocence, perhaps.

Rabbi Shimon ben Yoḥai interprets the verse about Solomon quite literally. He pictures Solomon's bed surrounded by sixty valiant men, armed and ready for battle. Why such heavy security? "From fear in the nights" (Song of Songs 3:8) – Solomon was afraid of demons! This isn't just a historical anecdote; it's a metaphor for the vulnerability that comes after sin.

Rabbi Shimon ben Yoḥai takes it further. He says that before a person sins, they inspire awe. After? They feel the awe, the fear. Think about Adam. Before the sin in the Garden, he could stand and listen to the Divine Voice. Afterward, he hid! As it says in (Genesis 3:8), "The man and his wife hid from the presence of the Lord God."

Rabbi Avin adds that before, Adam heard a "gentle voice." After, it was thunderous. It's like the volume got cranked up on the consequences.

And it’s not just individuals. The whole Israelite nation experienced this shift. Before the sin of the Golden Calf, Rabbi Abba bar Kahana tells us, the Israelites could witness the "appearance of the glory of the Lord" on Mount Sinai – a devouring fire, no less! – and not be afraid. According to (Exodus 24:17), “the appearance of the glory of the Lord was like devouring fire atop the mountain.” They even saw seven partitions of fire consuming one another! But after the sin, they couldn't even look at Moses's radiant face. Remember the verse from (Exodus 34:30)? "Aaron and all the children of Israel saw Moses, and behold, [the skin of his face] was radiant, [and they feared approaching him]."

Rabbi Pinḥas ben Rabbi Avin, quoting Rabbi Ḥanin, even suggests that Moses himself felt this shift, this distance.

Rabbi Yudan, citing Rabbi Aivu, brings another powerful image: Before the sin, even the angels Michael and Gabriel feared Moses! But after, Moses couldn't even look at their lowest-ranking soldiers. That's a serious demotion!

The Midrash continues, drawing parallels with other figures: Saul, who initially captured the kingdom and inspired terror through his good deeds and Torah learning, but later became fearful himself. David, who once proclaimed "The Lord is my light and my salvation; whom shall I fear?" (Psalms 27:1), but after his sin with Batsheva, became weary and discouraged.

Then there's Solomon, who initially dominated demons with his songs and poems – "shirim veshirot" as it says in (Ecclesiastes 2:8). He even controlled Ashmedai, the king of demons, to build the Temple. But after he sinned, Ashmedai banished him, and Solomon had to surround his bed with guards for protection.

But wait, there's more! The Midrash doesn't stop at individual failings. It also offers alternative interpretations of the verse from Song of Songs. One interpretation sees the "bed of Solomon" as representing the tribes of Israel who left Egypt. The "sixty valiant men" become the six hundred thousand Israelites over the age of twenty. Their swords? The very swords they used to circumcise themselves before offering the Paschal sacrifice! According to (Exodus 13:18), “the children of Israel ascended armed from the land of Egypt.”

Another interpretation sees the "bed of Solomon" as representing the Sanhedrin, the ancient Jewish court. The "sixty valiant men" are the members of the court, armed with their knowledge of Jewish law, or halakha, ready to render true judgment.

Finally, the Midrash interprets the verse in relation to the priestly watches and the Priestly Benediction. The "sixty valiant men" are the sixty letters of the blessing, bolstering Israel with their might.

So, what does all this mean? It seems to me that Bamidbar Rabbah 11 is telling us that sin isn't just about breaking rules. It's about altering our perception, diminishing our strength, and creating distance between ourselves and the Divine. But it also reminds us that even after we stumble, there are paths to redemption, ways to reclaim our strength and reconnect with the Divine. It’s a powerful reminder of the stakes, and the constant work of striving to live a more righteous life. What do you think?

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Bamidbar Rabbah 18:21Bamidbar Rabbah

Bamidbar Rabbah turns to The Prophetic Letters That Change Form at a Word's End.

What about mem mem? It's linked to Isaac, and the verse "For you have grown much mightier than we [mimenu]" (Genesis 26:16). According to the Midrash, the double mem suggests that Isaac and his descendants would be mighty in two worlds. The text emphasizes that the Torah could have used a different phrase for “than us,” but it chose mimenu specifically to hint at this concept!

Then we have nun nun, representing Jacob and his plea, "Deliver me, please [hatzileni na]" (Genesis 32:12) – again, a plea for deliverance in two worlds. And peh peh, tied to Israel, with God's words to Moses, "I have remembered you [pakod pakadeti]" (Exodus 3:16).

Finally, tzadi tzadi points to the future, to the coming of the Tzemaḥ, the sprout, a messianic figure: "Behold a man, Tzemaḥ is his name, and he will sprout [yitzmaḥ.]" (Zechariah 6:12). As we find in Jeremiah (23:5) this figure will be a righteous offspring of David, bringing justice and righteousness to the land.

But the text doesn't stop there. It moves into a fascinating exploration of numbers and their significance. The phrase "A leader of fifty" (Isaiah 3:3) is seen as an allusion to the breadth of Jewish knowledge: the twenty-four books of the Bible, the eleven minor prophets (excluding Jonah), the six orders of the Mishna, and nine chapters of Torat Kohanim, a midrash halakha (legal interpretation) on Leviticus. According to the Midrash, at the time of its writing, the Torat Kohanim was divided into nine large chapters.

The passage then connects phrases from the Song of Songs to different aspects of Jewish learning. "They are sixty queens" (Song of Songs 6:8) represents the sixty tractates of the Talmud. "And eighty concubines" (Song of Songs 6:8) symbolizes the eighty study halls in Jerusalem. "And young women without number" (Song of Songs 6:8) alludes to external Mishna – Tannaitic statements not included in the official Mishna.

Even the seemingly simple statement "Three hundred and eighteen" (Genesis 14:14) gets a deep dive. It's interpreted as a reference to Eliezer, Abraham's servant, because the numerical value of the letters in Eliezer's name adds up to 318!

Then we get to a discussion of Abraham's spiritual journey. "Because [ekev] Abraham heeded My voice." (Genesis 26:5) is connected to the idea that Abraham recognized God at the young age of three.

The Midrash then explores the names of Sarah and Abraham, noting that Abraham was incomplete until he was circumcised and had a child. The letter heh was added to his name to make him whole. The numerical value of Abraham's name, after the addition of the heh, equals 248, the number of limbs in a person’s body.

The text goes on to analyze the names of Isaac and Jacob, connecting them to significant events and concepts. For example, the letters in Isaac's name (Yitzchak) are linked to the ten ordeals, Sarah's age when he was born, and the eight days until his circumcision.

The passage continues with more numerical interpretations, connecting seemingly disparate verses and ideas. The numerical value of "Fear of the Lord" (yirat Adonai) is equated with the value of "Torah," and when combined, they equal 613 – the number of commandments in the Torah!

The Midrash also tells us that the days of Abraham, Isaac, and Jacob, when added together, equal the distance between heaven and earth. How amazing is that?

Finally, the passage explores the significance of prayer, especially in the absence of the Temple. The numerical value of "good" (tov) is linked to the concept of nefesh (soul), suggesting that prayer can serve as an atonement in place of sacrifices.

What's the takeaway from all this? It’s that the ancient rabbis saw the Torah as a multi-layered text, filled with hidden meanings and connections. They used gematria (numerical values of letters) and other interpretive methods to unlock these secrets, revealing deeper insights into Jewish law, theology, and history. It reminds us that there's always more to discover, more to learn, and more to appreciate in the tradition of Jewish tradition. And perhaps, it encourages us to look more closely at the world around us, to find the hidden connections and deeper meanings that might be waiting to be discovered.

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