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Amalek Was the Threshing Floor Where Israel Became Wheat

Rabbi Idi asks why Israel is wheat and not pine cones. The wind comes, the chaff scatters, and only the kernel is left standing.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The Staple, Not the Ornament
  2. The Parable That Lands Like a Hammer
  3. Where Amalek Fits In
  4. The Kernel That Remains

The Staple, Not the Ornament

Rabbi Idi posed the question as though a child had asked it, because a child might actually ask it. The Song of Songs says, Your belly is a pile of wheat (Song of Songs 7:3). Why wheat? Pine cones are harder to ignore. They sit on branches and demand attention. Wheat just stands in the field and waits.

Rabbi Idi's answer is the kind that stops conversation. The world can survive without pine cones. It cannot survive without bread. So Israel is compared to the staple, not the ornament. Israel is compared to the thing without which everything else collapses.

Rabbi Yosei bar Hananya pushed harder on the same image. Wheat does not merely stand in the field. It absorbs. It takes the minerals of the soil, the rain of foreign skies, the accumulated wealth of the nations, and it converts the lot into nourishment. Nothing that enters the wheat is wasted. Everything becomes bread.

The Parable That Lands Like a Hammer

Then comes the parable, and it lands hard. The chaff and the hay and the straw all stood in the field together, and they held a conversation. Each one declared itself the reason the field was sown. The chaff said, "I am the covering." The hay said, "I am the fiber." The straw said, "I am the structure." The wheat said nothing at all.

Then the harvest wind arrived.

The chaff scattered first, carried off in every direction by the first gust. The hay burned when someone set a torch to the stubble. The straw followed. And the wheat stood there. Gathered up, threshed, ground, baked. Eaten. The boasters dissolved into air, and the silent one became the bread the world needed.

Where Amalek Fits In

This is where the teaching becomes strange. Amalek struck Israel from the rear in the wilderness, cutting down the weak and the stragglers while Moses held his staff aloft above the battle (Exodus 17:8-13). The rabbis read that assault not as a disaster that interrupted the harvest but as a necessary stage of it.

Without threshing, there is no flour. Without the beating that separates the grain from the chaff, the kernel never becomes bread. Amalek, in this reading, was the threshing floor. Every blow that fell on Israel at Rephidim was the wooden flail separating what was essential from what was decoration. The attack did not stop Israel from becoming what it was meant to be. The attack was the mechanism.

Moses himself is drawn into this logic. The Song of Songs calls him the Dreamer of Songs, the one who listened while the poems formed in his mind during years in Midian and years in the desert. The rabbis noted that Moses and Adam share the same numerical value in Hebrew. Moses gathered up what Adam had dropped. The long arc from Eden to Sinai was one slow harvest, one prolonged threshing.

The Kernel That Remains

Shir HaShirim Rabbah, working verse by verse through the Song, kept arriving at the same conclusion from different directions. Israel is not the nation that went unchallenged. Israel is the nation that went through the floor and survived. Every enemy that rose and fell was part of the process. The Egyptians, the Amalekites, the Babylonians, all of them were the force that separated the kernel from the husk.

The wheat does not argue with the flail. It does not explain itself to the wind. It simply waits to be gathered, because the gathering was always the point. Rabbi Yosei bar Hananya imagined the patriarchs watching all of this from a distance, a field sown long before any of them were born, moving toward a harvest that none of them would live to see complete. And the kernel, through every age of threshing, remains.


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Shir HaShirim Rabbah 3:3Shir HaShirim Rabbah

I know, it sounds random. But stick with me. In Shir HaShirim Rabbah, a collection of rabbinic interpretations of the Song of Songs, that very grain becomes a powerful symbol for the relationship between God, Israel, and the rest of the world.

The passage starts with a seemingly odd question about a verse: "Your belly is a pile of wheat" (Song of Songs 7:3). Why wheat? Wouldn't something more.. exotic, like pine cones, be a fairer comparison? The answer, our sages suggest, lies in necessity. The world could exist without pine cones, but it cannot exist without wheat. Wheat sustains life.

Rabbi Idi offers another insight: "Just as this wheat kernel is cleft, so Israel’s circumcision is cleft." This refers to peria, the crucial step in circumcision where the membrane under the foreskin is split and pulled back. A physical mark, a sign of the covenant, mirrored in the very structure of the life-giving grain.

Then, Rabbi Yosei bar Ḥananya brings in a slightly more… assertive comparison. "Just as wheat absorbs, so too Israel absorbs the property of the nations of the world." This isn't about literal theft, but about taking the best aspects of other cultures and integrating them. He backs this up with verses like, "You shall devour all the peoples…" (Deuteronomy 7:16) and "You will consume the wealth of the nations and in their glory you will revel" (Isaiah 61:6). It's a complex idea – inheriting and transforming, not just conquering.

Rabbi Shimon ben Lakish adds, "Just as with wheat, its waste is measured with it, so too Israel, 'from the hewer of your wood to the drawer of your water' (Deuteronomy 29:10)." Even the seemingly insignificant members of the community are part of the whole, measured and valued.

And Rabbi Yitzḥak draws a beautiful parallel to the Exodus story. "Just as these wheat kernels, when they go out for sowing go out by measure, and when they enter from the grain pile they enter by measure, so too Israel..." He reminds us that when Jacob’s family descended to Egypt, they were counted: "With seventy people, your ancestors descended to Egypt" (Deuteronomy 10:22). And when they left? Counted again: "some six hundred thousand men on foot" (Exodus 12:37). Each one precious, accounted for, from beginning to end.

Rabbi Ḥonya takes this idea a step further, contrasting Israel's meticulous accounting with God's view of the other nations. Just as a landowner doesn't keep track of manure, hay, or straw because they’re considered worthless, so too, God doesn’t monitor the nations of the world, because "All the nations are like nothing before Him…" (Isaiah 40:17). Harsh? Maybe. But the point is about focus. God's focus is on Israel, as it is stated: "When you take a census of the children of Israel…" (Exodus 30:12) and “take a census of the entire congregation of Israel” (Numbers 1:2).

Rabbi Neḥemya, quoting Rabbi Avun, drives the point home: "The nations of the world have no planting, have no sowing, and have no root..." He points to (Isaiah 40:24): "It is as though they were not planted, as though they were not sown, as though their trunk had not taken root in the earth." In contrast, Israel does have all three: planting ("I will plant them in this land" - (Jeremiah 32:4)1), sowing ("I will sow her for Me in the land" - (Hosea 2:2)5), and root ("It is coming that Jacob will take root" - Isaiah 27:6).

The text concludes with a powerful parable. Hay, chaff, and straw boast about being the reason the field was sown. But the wheat wisely says, "Wait until the threshing arrives and we will know for whose sake the field was sown." When the time comes, the chaff is blown away, the hay is cast aside, the straw is burned, and the wheat is gathered into a pile – a treasure. People pass by and "Kiss the grain" (Psalms 2:12).

The parable continues: the nations claim to be the "true Israel" for whom the world was created. But Israel says, "Wait until the day the Holy One blessed be He will arrive and we will know for whose sake the world was created." (Malachi 3:19) warns that the wicked will be like straw burned in an oven, and (Isaiah 41:16) adds, "You will winnow them and the wind will carry them." But for Israel? "But you will rejoice in the Lord, you will be glorified in the Holy One of Israel" (Isaiah 41:16).

So, what does it all mean? It's a complex picture, isn't it? It's about chosenness, yes, but also about responsibility. About being sustained by God and, in turn, sustaining the world with goodness and righteousness. It's about being the wheat, not the chaff. And it all starts with a humble kernel. What will we grow from what we've been given?

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Shir HaShirim Rabbah 4:4Shir HaShirim Rabbah

They found ways to see even those challenging forces as a path towards the Divine. to a fascinating interpretation of a verse from Shir HaShirim, the Song of Songs, explored in Shir HaShirim Rabbah, a classic collection of rabbinic interpretations.

The verse in question is "Draw me [moshkheni]; we will run after you" (Song of Songs 1:4). Simple enough. But the rabbis, masters of wordplay and layered meaning, see so much more. Rabbi Azarya suggests the congregation of Israel is saying to God, "Because You gave me the plunder of my neighbors...we will run after You." He connects the word moshkeni, "draw me," to mishkenai, "from my neighbors." The idea is that the spoils taken from Egypt, Sihon, Og, and the thirty-one kings fuel the Israelites' desire to follow God.

It’s a bit unsettling, isn't it? Does it mean we only follow when things are going well, when we're benefiting? Maybe. Or maybe it's an acknowledgement that even blessings can be a catalyst, a reminder of God's presence in our lives.

The interpretations don't stop there. Rabbi Avun offers another perspective, seeing the "drawing" as a response to hardship. He uses the analogy of a noblewoman whose king is angry with her and incites her neighbors against her. In desperation, she cries out, "My lord the king, rescue me!" Similarly, the Israelites, facing enemies like the Sidonites and Amalek, call out to God. “Sidonites, Amalek, and you called to Me and I rescued you from their hand" (Judges 10:12).

The idea here is profound: sometimes it's the very things that threaten to tear us apart that drive us closer to what truly matters.

Then comes another layer. What if "draw me" means "you endanger me [maskineni]," or "you make me impoverished [memaskeini]"? Rabbi Aḥa says a Jew requires the carob to repent. Carobs were a cheap food, associated with the poor. The implication? Economic hardship can lead to repentance. Rabbi Akiva even says, "Poverty is appropriate for the daughter of Jacob like a [decorative] red strap on the neck of a white horse." A rather startling analogy, but it makes the point: even deprivation can have a strange beauty, a way of focusing the mind and soul.

And yet another twist: "draw me" could mean "from the collateral that You have taken from me [mashkineni], we will run after You." Rabbi Menaḥama, citing Rabbi Yoḥanan, connects this to the destruction of the two Temples. He states, "We have done injury [ḥavol ḥavalnu] to you" (Nehemiah 1:7), referring to the destruction of the two Temples, taken as collateral for Israel's sins. The trauma of destruction, the loss of something so central, can be a powerful motivator for change, for return.

Rabbi Berekhya, in the name of Rabbi Yehuda ben Rabbi Ilai, brings in the story of Moses leading the Israelites after the Red Sea. He led them away from the sin at the sea, and they pledged to follow him wherever he went, from Eilim to Alush to Mara to Refidim and finally to Sinai. The rabbis compare this to a man marrying a woman from a village. He tells her all the places he will take her, and she says, "To wherever you go and take me, I will go with you." Similarly, Israel says: “My soul cleaves after You” (Psalms 63:9). It is a commitment to follow, regardless of the path.

Finally, Rabbi Yosei bar Ika encapsulates it all: "Draw me; we will run after you", if to Bible, to Bible; if to Mishna, to Mishna; if to Talmud, to Talmud; if to Tosefta (supplementary teachings to the Mishnah), to Tosefta; if to aggada, to aggada. In other words, wherever the path leads – through scripture, law, stories – we are committed to the journey.

So, what does all this mean for us today? It suggests that the forces that "draw" us – whether they are blessings or hardships, external pressures or internal struggles – can all be seen as opportunities to run towards something greater. It's a reminder that even in the midst of chaos and uncertainty, there is a path to be found, a connection to be made, a journey to be undertaken.

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Shir HaShirim Rabbah 12:1Shir HaShirim Rabbah

Ever read a love poem and thought, "This is beautiful, but what does it mean?" Well, the Jewish tradition has been doing that for centuries with the Song of Songs, also known as Shir HaShirim in Hebrew. It's this gorgeous, sensual book in the Bible, and Jewish mystics have always seen it as an allegory for the relationship between God and Israel.

That's where Shir HaShirim Rabbah comes in – a rabbinic commentary that unpacks the layers of meaning within the Song. the story turns to one fascinating interpretation, focusing on the verse, "The blossoms have appeared in the land, the time of the nightingale has arrived, and the sound of the turtledove is heard in our land" (Song of Songs 2:12).

What do blossoms, nightingales, and turtledoves have to do with God and Israel? Buckle up, because the Rabbis are about to take us on a wild, insightful ride.

"The blossoms [hanitzanim] have appeared in the land," the commentary states, but then makes a surprising leap. It connects hanitzanim (blossoms) to hanatzohot (administrators). Who are these administrators? Moses and Aaron, of course! The leaders chosen to guide the Israelites out of Egypt. The text supports this by quoting (Exodus 12:1): "The Lord said to Moses and Aaron in the land of Egypt, saying…" According to this reading, the verse in Song of Songs isn't about literal flowers, but about the emergence of leadership at a crucial moment of redemption.

Next, "The time of the nightingale [hazamir] has arrived." Now, zamir can mean "nightingale," but it also shares a root with the Hebrew word meaning "to prune" or "to cut off" [shetizamer]. So, the Rabbis interpret this as the time for Israel to be redeemed, the time for the foreskin to be cut off (referencing the ritual of circumcision), the time for Egypt to be "cut off" from its power. It’s a time for endings and beginnings, a symbolic severing from the old life of slavery.

The commentary continues, piling on examples of what this "cutting off" entails: the uprooting of Egyptian idol worship, as promised in (Exodus 12:12) ("And I will administer punishments against all the gods of Egypt"). And, powerfully, the splitting of the Red Sea, as described in (Exodus 14:21) ("The water split"). It was also a time for song, for rejoicing in newfound freedom, as celebrated in (Exodus 15:1) ("Then Moses…sang").

Rabbi Tanhuma adds that it was the time to compose paeans – songs of praise – to God. He references (Exodus 15:2): "The Lord is my strength and my song [vezimrat ya]"; zemirot ya being paeans to the Lord. Rabbi Beivai even connects this to (Psalms 119:54): "Your statutes were paeans to me." The very laws and commandments are seen as songs of devotion!

Finally, "The sound of the turtledove [hator] is heard in our land." Rabbi Yoḥanan offers another clever twist, connecting tor (turtledove) to tayar (explorer). The voice of a good explorer was heard in the land – and who is this explorer? None other than Moses himself, at the moment he announces God's impending actions in (Exodus 11:4): "Moses said: So said the Lord: At about midnight…"

So, what does it all mean? This passage from Shir HaShirim Rabbah reveals the beautiful, intricate way the Rabbis read the Bible. They saw connections everywhere, finding echoes of the Exodus story within a seemingly simple love poem. They transformed images of nature into symbols of redemption, leadership, and divine communication.

It’s a reminder that even the most familiar texts can hold new depths of meaning, waiting to be uncovered with a little creativity and a lot of tradition. Maybe the next time you hear a birdsong, you'll think of Moses, Aaron, and the long journey to freedom.

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Shir HaShirim Rabbah 9:1Shir HaShirim Rabbah

Seems straightforward. But the Rabbis, in Shir HaShirim Rabbah, see layers of meaning here. Specifically, they focus on the Hebrew word libavtini – "you have charmed me." The spelling of this word, with a doubled letter bet, is interpreted as hinting at levavot, two hearts!

The Holy One, blessed be He, is saying: "You had one heart, but now you've given me two!" What does this mean? Well, the Rabbis offer several interpretations, each tied to a pivotal moment in the history of the Jewish people.

One interpretation focuses on Egypt. God says, "You had one heart in Egypt, but you gave Me two hearts." What's the single heart? Maybe a divided loyalty, perhaps a wavering faith amidst hardship. But what brought about the two hearts? The Rabbis say it's “with the blood of the paschal offering and the blood of circumcision.” These acts of faith, performed in the face of potential danger, demonstrated a complete commitment to God.

Who is the "one bead of your necklace"? In each of these interpretations, it is Moses, who was the most outstanding and mighty among your tribes.

Another interpretation takes us to the splitting of the Red Sea. According to Shir HaShirim Rabbah, God says, "You had one heart at the sea, but you gave Me two hearts." Perhaps that initial fear and uncertainty gave way to unwavering belief as they witnessed the miracle unfolding. The “one eye” that charmed God? It was when the people stood before God at Mount Sinai and proclaimed, "Everything that God spoke we will perform and we will heed!" (Exodus 24:7). A commitment to both action and understanding.

We find another layer in the story of the Tabernacle. "You had one heart in the wilderness," God says, "but you gave Me two hearts." The single heart might represent the grumbling and complaining that sometimes arose during their desert wanderings. But the two hearts emerged with the establishment of the Tabernacle. “You have charmed me with one of your eyes – with the establishment of the Tabernacle, as it is stated: “On the day the Tabernacle was established, [the cloud covered the tabernacle]” (Numbers 9:15). This generous giving "with a good eye" (as donating generously is sometimes called in rabbinic Hebrew) and the dedication to building a sacred space, showed a renewed and doubled commitment.

The Rabbis even highlight the women of that generation, who, when faced with the incident of the Golden Calf, refused to give their nose rings to the effort. And when they heard about the laws of family purity, they immediately accepted them. These were acts of unwavering faith and commitment.

The Midrash (rabbinic interpretive commentary) doesn't stop there. It continues, explaining that God says, "You had one heart with the scouts, but you gave Me two hearts." In this version, the two hearts belong to Joshua and Caleb, the only scouts who brought back a positive report about the Land of Israel (Numbers 32:12). They maintained their faith even when others faltered.

And lastly, "You had one heart in the Shittim, but you gave Me two hearts." This refers to the incident with the Moabite women, where many Israelite men strayed. But one man, Pinḥas, took a stand against the transgression. "Pinḥas stood up to carry out judgment.… and it was considered righteousness for him" (Psalms 106:30–31). His courageous act, fueled by righteous zeal, represented the two hearts.

So, what's the takeaway from all of this? It's about growth, about deepening our commitment, about moving from a place of divided loyalty to one of wholehearted devotion. It's about recognizing those moments in our lives where we can choose to give not just one heart, but two. And in doing so, to truly charm the Divine. It makes you wonder, where in your own life can you offer two hearts instead of just one?

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