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The Princess Vanished When the King Cursed Her

The viceroy asked the king for a horse and money and rode out. He found her behind a veil, then drank from a red spring and slept seventy years.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The Word That Emptied the Room
  2. Years on Empty Roads
  3. A Sigh in the Study House
  4. Angels in the Court of the Year
  5. Exile of the Daughter
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The Word That Emptied the Room

The king had six sons and one daughter, and the daughter was the pulse of the palace. He cherished her, played with her, kept her close when counselors talked of borders and grain. One day anger ran faster than love, and terrible words left his mouth before wisdom could catch them: "Let the Not-Good take you away." The sentence hung in the air like smoke. That night she went to her room with the ordinary steps of a child who still trusts morning. By morning the bed was empty and the palace had a hole in it shaped like a girl.

He was devastated in the way only a man who has broken his own treasure can be. His viceroy, the most trusted minister, did not offer empty comfort. He asked for a horse, a servant, and money, and rode into the wilderness to find what a sentence had stolen.

Years on Empty Roads

He searched deserts that bleached the eyes and forests that ate sound and roads that led nowhere except to more road. Years thinned him. At last a side path brought him to a castle ringed with soldiers in perfect formation, a geometry of threat. Terror walked with him through the gate, yet no one stopped him, as if the place had been waiting for this particular fear. Halls grew more beautiful room by room until beauty itself became a kind of pressure. He found the princess sitting behind a veil.

She told him the price of freedom without softening it. Choose a place. Sit there a full year, yearning with your whole strength. On the last day, fast completely and do not sleep. He agreed because love agrees before it understands. He sat. Seasons turned around a still body. On the final hours he saw a tree of impossible fruit, ate, and fell into a sleep of years. Her servants shook him and shouted. He mumbled and sank again. When he woke she said through a servant: you were so close. Try again.

Another year of sitting, another year of hunger for a face. On the last day a spring glowed red and smelled of wine. He had been told not to eat. Surely a sip of water was different, a loophole the body invents when the will is tired. He drank. He slept seventy years. Armies marched past his closed eyes. Civilizations rose and fell like tides. When he woke, she had moved to a golden mountain near a castle of pearls. Come find me there, the message said. The tale, first of Rabbi Nachman of Breslov's Sippurei Maasiyot, never receives an ending from his mouth. The search remains open on purpose.

A Sigh in the Study House

In another century the Baal Shem Tov wanted a Zohar, and Rabbi Gershon pulled it from his hands with mockery, as if longing for the book were a joke. Later, in the study house, the Baal Shem Tov prayed the Shema (Hear O Israel) and let out a deep sigh that was not performance. Rabbi Moshe asked what had happened. The sigh was from the heart, he said, and he pointed to the mezuzah (a small scroll of Torah verses) on the doorpost. They checked the parchment. It was invalid, a doorway wearing a lie. Only then did Rabbi Moshe give him the Zohar and bless him that Gershon would not cross his path again. The sigh had read what the doorway was hiding when eyes had grown lazy.

Angels in the Court of the Year

Sefer HaKanah paints Binah, Understanding, as a judge rendering true judgments as the year turns toward Rosh Hashanah. Even the force that brings accusation is not a rebel power outside God but a function inside the Holy One's court, a litigator who still serves the King. Between Rosh Hashanah and Yom Kippur the liturgy names the King of Judgment, and the mouth that prays asks that mercy not be locked out of the verdict. Judgment and compassion are not two empires at war. They are two hands of one sovereignty, and the human task is to stand where both can reach.

The viceroy's long sit is a kind of High Holy Day stretched across years: attention without sleep, hunger without a stolen sip, yearning that fails at the last sweet distraction. The invalid mezuzah (a doorpost scroll) is a small door-judgment: what looks fixed on the post may be empty of true writing until a heart sighs and forces a check. Both scenes say the hidden will not stay hidden when the year, or the soul, finally pays attention.

Exile of the Daughter

Readers of Nachman have long heard the princess as the Shechinah (the Divine Presence) in exile and the viceroy as the soul that almost arrives and then eats. The king's curse is the rupture that sends Presence into castles of shells and pearls. The searcher's failures are ordinary enough to hurt: fruit, water, the need to finish the fast one hour early. Almost is the most Jewish distance in the story, the inch between redemption and another seventy years of sleep.

Set beside the Baal Shem Tov's sigh and the angels of the year's court, the tale stops being only a fairy road for long nights. It becomes a map of how hidden flaws and loud judgments shape the hunt for what was lost by a word spoken in anger. Kabbalah in these sources does not float above doors and calendars. It points at a mezuzah that must be opened, a season when Binah judges, and a man who cannot stay awake one more night for the sake of a veiled face. The Not-Good took the daughter when the king spoke. The search for her is still the work of every viceroy who refuses to call the empty bed final.


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Sources

3 sources

The texts behind this telling. Some cards carry a translation of the source; others are our own retelling of it, and each card says which. Every card links out to the original.

Sippurei Maasiyot, Tale 1Sippurei Maasiyot (Rabbi Nachman)

Retold in our words. Read the original at the link below.Sefaria-hosted English translation · CC-BY-SA

A king had six sons and one daughter. The daughter was his favorite, he cherished her, played with her, kept her close. One day, in a moment of anger, terrible words escaped his mouth: "Let the Not-Good take you away." That night she went to her room. By morning, she was gone.

The king was devastated. His viceroy, his most trusted minister, volunteered to find her. He asked for a horse, a servant, and money, and set off into the wilderness.

He searched for years. Deserts, forests, empty roads leading nowhere. Finally, he spotted a path branching off from the main road and decided to follow it. It led to a castle surrounded by soldiers in perfect formation. The viceroy was terrified, but he entered anyway. No one stopped him. He walked from room to room, through halls of increasing beauty, until he found the princess.

She was sitting behind a veil. She told him what he needed to do to free her. He had to choose a place and sit there for an entire year, yearning for her. On the last day of the year, he was to fast completely and not sleep at all. He agreed and began.

He sat for a year. On the very last day, the final hours before freedom, he saw a tree laden with impossibly beautiful fruit. He ate. Instantly, he fell into a deep sleep that lasted years. The princess's servants tried to wake him. They shook him, they shouted. He would stir, mumble, and collapse back into unconsciousness.

When he finally awoke, the princess told him through her servant: you were so close. Now you must try again, another full year. This time, on the last day, do not eat. He sat for another year. On the final day, he saw a spring of water that glowed red and smelled of wine. He had been told not to eat. But surely a sip of water was permitted? He drank. He collapsed into sleep again, this time for seventy years.

Armies marched past him as he slept. Entire civilizations rose and fell. When he finally woke, the princess had moved. She left him a message: she could now be found on a golden mountain near a castle of pearls. He should come find her there.

This is the first of Rabbi Nachman of Breslov's Sippurei Maasiyot (ספורי מעשיות), his sacred fairy tales. The princess, in Kabbalistic interpretation, represents the Shechinah (שכינה), the Divine Presence, lost and exiled. The viceroy is the soul, searching endlessly for God. And his failure? It is always the same: he comes heartbreakingly close to redemption, and then some small, forgivable weakness, a piece of fruit, a sip of water, sends him back to the beginning. The story remains unfinished. Rabbi Nachman never told the ending.

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Shivchei HaBesht 9Shivchei HaBesht

Translation of the source text.Shivchei HaBesht, Kopyst 1815 + JewishMythology.com faithful English Beta translation · Public Domain

The Baal Shem Tov asked the rabbi of Kuty for a Zohar. His brother-in-law Rabbi Gershon met him while he was carrying it and took it from him, mocking him.

Afterward the Baal Shem Tov was in the city and prayed in the study house. During the recitation of Shema he sighed a great sigh. After prayer Rabbi Moshe asked him why he had sighed so greatly.

The Baal Shem Tov said, "This sigh was from the heart." He said that the mezuzah was invalid. They checked and found that it was so.

Then Rabbi Moshe gave him the Zohar and blessed him that Rabbi Gershon would not meet him.

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Sefer HaKanah 45:7Sefer HaKanah

Retold in our words. Read the original at the link below.Sefaria Community Translation · CC-BY

The Sefer HaKanah paints a picture of Binah (Understanding) – often translated as understanding or intelligence, one of the Sefirot, the ten emanations of God – as a judge rendering true judgments. But what does that really mean? It tells us that even the "litigator," the force bringing accusations, is ultimately just collecting truth and righteousness. This force, which might seem harsh, is performing a task assigned to it since the creation of the world.

Think about this: Our sages, the Chazal, said, "Behold, it is very good," referring to the Angel of Death. Good? How can that be? Because, the text explains, it "collects truth and does not say falsehood." This seemingly grim figure is actually an instrument of truth. And Binah, having appointed this force, doesn’t send it away empty-handed. All those destined for punishment, all those who are going to die, are entrusted to this agent.

The Sefer HaKanah describes how Binah becomes misyachaed – unified – with the attribute of Din, which means judgment, of the lower world. And this lower Din? It's the congregation of Israel, the people of Israel. So, Binah judges the world using this connection to the people.

In Sefer HaKanah, on Rosh Hashanah, the Jewish New Year, Binah judges the world with a judgment mixed with Rachamim – compassion. And then, on Yom Kippur, the Day of Atonement, we experience a day of mercy mixed with judgment. This might explain why, we don’t mention the tekiyah, the shofar blast, on Rosh Hashanah in the Torah, in contrast to Yom Kippur. (This isn’t immediately clear from the Torah itself, but the text interprets it this way).

The Sefer HaKanah highlights that, because it is a time of judgment, during the High Holy Days, specifically between Rosh Hashanah and Yom Kippur, we add the line "Hamelech haMishpat" – "the King of Judgment" – to the Amidah, the central prayer. This is meant to acknowledge that Binah is guiding the world with the attribute of judgment. Yet, as we stand in prayer, we are also requesting mercy, asking that we not be judged solely with the attribute of judgment, but rather with the attribute of mercy.

So, what does all of this mean for us? It suggests a complex interplay between justice and compassion, a cosmic dance that shapes our lives, especially during the High Holy Days. Perhaps the High Holy Days are not just about being judged, but about understanding the nature of judgment itself, and pleading for compassion.

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