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Ishmael Read Every Age Upon the Pargod Curtain

Behind a curtain of divine names, Metatron showed Rabbi Ishmael every generation to come. The light hurt. The knowledge did not make the path easy.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The Curtain Before the Throne
  2. Generations Etched in Light
  3. When the Sighted Close Their Eyes
  4. Gold Mixed With Straw
  5. Back Below the Curtain
Ishmael Read Every Age Upon the Pargod Curtain Click for full size

The Curtain Before the Throne

Rabbi Ishmael rose through courts of fire with Metatron as guide. At last they stopped before a curtain that was not cloth in any earthly sense. The Pargod (פרגוד) hung in Paradise light, covered with the letters of the complete Name, shimmering with forms of everything that exists below.

Only the Bride of God, the Shekhinah (the indwelling presence of God) in her nearness, and Metatron the Prince of the Presence may stand fully beyond it. Ordinary angels do not stroll past. Hiddenness is not only a human problem.

Ishmael's eyes watered. The curtain held more history than a library. Heat from the letters pressed his skin the way noon presses a traveler who has no shade.

"Do not look away too soon," Metatron said, not unkindly. "And do not look as if you can own what you see."

Generations Etched in Light

Metatron showed him the deeds of generations, past, present, and future, printed on the Pargod out to the days of the Messiah. The angel taught him the way a father teaches letters to a son. Ishmael did not only see. He tasted the weight of ages that had not yet learned to walk.

Somewhere on that surface a drought waited. Somewhere a teacher would light a path or refuse to. The curtain did not flatter. It disclosed.

Ishmael understood why most souls are not brought here. Knowledge of the whole can crush a single life.

He saw empires rise like smoke and thin the same way. He saw a child in a future alley laugh without knowing the Pargod already held the shape of that laugh. Mercy and severity braided through the light until his knees softened.

When the Sighted Close Their Eyes

Later ages would borrow an image from Maimonides and press it hard. A thousand blind people walk a dangerous road. If one can see, he may lead. If even the sighted turn away from inner Torah, the generation stumbles together.

Baal HaSulam felt that drought in his own time, a darkness in which even those dedicated to service neglected the nistar, the hidden. The pain, he said, was too great to speak fully. The Pargod's lesson returns here without a heavenly tour. Someone must keep looking into what others call too hard.

Ishmael had been forced to look. Ordinary teachers choose.

On the dangerous road of a later century, a man with sight who prefers comfort becomes a more serious danger than honest blindness. At least the blind know they need a hand. The sighted who refuse the inner path lead others into pits with confident steps.

Gold Mixed With Straw

Even sacred books that claim high origin can pick up barley and straw in transmission. The Mitpachat Sefarim dares to say so of parts of the printed Zohar, pointing to corrupted Aramaic in places, language that chirps like a mockingbird instead of speaking clean mystery. The core, it insists, remains pure. The edges need sifting.

The holy Ari built wisdom on that crown of mystical teaching and still the later wrapper-book warns against swallowing every line without judgment. Heavenly curtains are one thing. Printed pages are handled by human hands.

Ishmael's vision was not a printed page. It was still a test of discernment. Not every form on the Pargod is a command to despair. Some are warnings. Some are work orders.

A student who loves mystery more than truth will swallow straw and call it gold. A student who loves truth will sift, even when sifting feels like disloyalty. The curtain taught Ishmael both reverence and care.

Back Below the Curtain

When Ishmael returned to the thickness of earth, market sounds replaced letter-light. He carried what he could hold without breaking. He did not publish every future he had seen. Some seals are mercy, as Jacob learned in another story. Some disclosures are only for the one who must lead a few steps.

The Pargod still hangs where only a few may pass. Generations still write themselves onto it whether they know or not. And somewhere a teacher with ordinary eyes decides whether to stay blind on purpose or to risk the light that hurts and guides.

Ishmael washed his face. The water was common. The memory was not. He opened a scroll and taught the next line of law as if the curtain had never opened, which is also a kind of faithfulness, because the lower world is where the forms on the Pargod must finally be lived.

A student asked a simple question about a case of damages. Ishmael answered simply. Behind the simple answer, the curtain still shimmered in his private sight, reminding him that even a case of damages is already etched somewhere in light.


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The texts behind this telling. Some cards carry a translation of the source; others are our own retelling of it, and each card says which. Every card links out to the original.

Yoma 77aTalmud Bavli, Yoma

Translation of the source text.William Davidson Edition - Vocalized Aramaic · CC-BY-NC

The Holy One, blessed be He, said to Michael: Michael! Your nation has sinned. He said before Him: Master of the Universe, let it suffice for the good ones among them! He said to him: I will burn them along with the good ones among them. Immediately: "And He spoke to the man clothed in linen and said: Go in between the wheelwork, beneath the cherub, and fill your hands with coals of fire from between the cherubim, and scatter them over the city. And he went in before my eyes" (Ezekiel 10:2). Immediately: "And the cherub stretched out his hand from between the cherubim to the fire that was between the cherubim, and took some and put it into the hands of him who was clothed in linen, who took it and went out" (Ezekiel 10:7).

Rav Chana bar Bizna said that Rabbi Shimon the Pious said: Had the coals not cooled from the hand of the cherub to the hand of Gabriel, there would not have been left of the enemies of Israel a remnant or a survivor.

And it is written: "And behold, the man clothed in linen, who had the inkhorn at his side, brought back word, saying: I have done as You commanded me" (Ezekiel 9:11). Rabbi Yochanan said: At that time they brought Gabriel out from behind the curtain and struck him with sixty fiery lashes. They said to him: If you had not done it, you had not done it; but since you did it, why did you not do it as you were commanded? And furthermore: now that you have done it, do you not hold that one does not bring back a report on a misdeed [that is, one does not bear tidings of harm]?

They brought Dubiel, the ministering prince of the Persians, and stood him in Gabriel's place, and he served twenty-one days. This is what is written: "And the prince of the kingdom of Persia stood opposing me twenty-one days; but behold, Michael, one of the chief princes, came to help me, and I remained there beside the kings of Persia" (Daniel 10:13). They gave him twenty-one kings and a seaport of Mashhig.

He said: Write Israel over to me for the head tax. They wrote it for him. Write the Rabbis over to me for the head tax. They wrote it for him. At the moment when they wished to seal the decree, Gabriel arose from behind the curtain and said: "It is vain for you who rise early, who sit up late, who eat the bread of toil; so He gives sleep to His beloved" (Psalms 127:2). What is "so He gives sleep to His beloved"? Rabbi Yitzchak said: These are the wives of Torah scholars who deprive themselves of sleep in this world and merit the World to Come. But they paid no heed to him.

He said before Him: Master of the Universe! If all the sages of the nations of the world were on one pan of a balance, and Daniel, the man greatly beloved, on the second pan, would he not be found to outweigh them all?! The Holy One, blessed be He, said: Who is this that pleads merit for My children? They said before Him: Master of the Universe, it is Gabriel. He said to them: Let him come, as it is said: "And I have come because of your words" (Daniel 10:12). He said to them: Let him enter. They brought him in.

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Baal HaSulam's Introduction to Zohar 57:1Baal HaSulam's Introduction to Zohar

Retold in our words. Read the original at the link below.Sefaria-hosted English translation · CC-BY

The great Kabbalist Baal HaSulam, in his introduction to the Zohar, a foundational text of Kabbalah, felt that way about his own generation. And honestly, reading his words, you might feel a pang of recognition today.

He speaks of a "drought and darkness" unlike anything seen before. A time, even then, where people, even those dedicated to serving God, had turned away from delving into the secrets of the Torah. The nistar, the hidden, the inner meaning..it was being neglected.

Why is that such a big deal?

Baal HaSulam uses a powerful analogy, one borrowed from the Rambam, Maimonides. A dangerous path, filled with obstacles and pitfalls. If even one of them can see, just one with clear vision, they can lead the others safely. The sighted person draws down the pure light from the Ein Sof, the Infinite, and guides the rest.

But what happens when even the "sighted" turn away? What if those who should be leading the way, those who should be seeking the inner wisdom, also stumble in the dark?

Then, Baal HaSulam argues, the rest of the generation is doomed to fail. But it speaks to the profound responsibility he believed rested on those who do seek deeper understanding. They aren't just learning for themselves. They are, in a very real sense, lighting the way for everyone else. The Zohar, written in Aramaic, is filled with complex symbolism and layers of meaning. It's not always easy to understand. But Baal HaSulam is suggesting that confronting these complexities, striving to understand the inner dimensions of Torah, is not some esoteric pursuit. It's a vital act of service.

And perhaps, just perhaps, by engaging with this wisdom, even in our own time of "drought and darkness," we can start to illuminate the path forward, not just for ourselves, but for the generations to come. The pain Baal HaSulam expressed – "so painful that I cannot say more about it" – maybe it can be transformed into a motivation, a call to action. To seek, to learn, and to illuminate.

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Mitpachat Sefarim 1:46Mitpachat Sefarim

Retold in our words. Read the original at the link below.Sefaria Community Translation · CC-BY

It's considered by many to be the most important work in the whole mystical tradition. Even the holy Ari – Rabbi Isaac Luria, may his memory be a blessing – a man who, it's said, possessed divine sanctity, based his wisdom upon it! Doubt his words? Heaven forbid!

Here's a question that's been asked for generations: Is the printed version of the Zohar exactly as it was originally intended?

The Mitpachat Sefarim (literally, "The Book Wrapper") dares to suggest that maybe, just maybe, there are "elements of barley and straw" mixed in. What does that mean? Well, imagine you're sifting through pure gold, and suddenly you find bits of… well, not-gold. That's the idea. Hidden homiletical statements that are troubling, disturbing, especially to someone not deeply immersed in the intricacies of its composition.

It goes further. The Mitpachat Sefarim points out that there are passages – specifically in the portion of Vayechi (Genesis 47:28-50:26) – that are written in corrupted Aramaic. Even the publisher, according to the Mitpachat Sefarim, recognized the distortion, sensing an imitation, something trying to mimic the Zohar but falling short, like an ape trying to be human. Harsh. The language, it says, is "extremely distorted, resembling the chirping of a mockingbird." Ouch.

But it's not all bad news! The Mitpachat Sefarim is quick to reassure us that the core parts of the book remain clean and pure. It suggests that, in more recent times, the text might have fallen under the influence of others, perhaps not reaching the highest level of authenticity. The author promises to explain this further, with God's help.

How do we confront texts we deeply revere, when questions arise about their integrity? Do we dismiss the questions? Do we embrace them? Or do we try to understand the nuances, the layers, the potential for human intervention in even the most sacred of works? It's a question worth pondering.

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