Today, we're diving into Shir HaShirim Rabbah, the commentary on the Song of Songs, and unpacking just such a verse. Get ready for a journey through noble lineage, the power of brit milah (circumcision), and God's loving artistry.
Our verse begins with the phrase "Daughter of a nobleman." Now, who is this noble daughter? The Midrash doesn't leave us guessing. It identifies her as the daughter of Abraham, the patriarch himself! Abraham, called noble, as it says in Psalms 47:10, "The noblemen of the people have assembled, the people of the God of Abraham…" So, in this context, the "daughter" refers to Israel itself, the entire people seen as the offspring, the inheritors of Abraham's legacy. Pretty powerful stuff, right?
But the verse doesn't stop there. It continues, "Your rounded thighs…" This is where things get interesting. Rabbi Yoḥanan offers a fascinating interpretation: all the luxuries and delicacies that Israel enjoys in this world are thanks to the merit of brit milah, the covenant of circumcision, which is performed "between the thighs." It's a striking connection, linking physical ritual to worldly blessings.
And Rabbi Ḥiyya takes it a step further. He asks, why did the Sages establish healing as the eighth blessing of the Amidah prayer, the central prayer of Jewish worship? His answer? It corresponds to circumcision, which is performed on the eighth day! This connection is cemented by the verse in Malachi 2:5, "My covenant was with him, life and peace." We see how deeply intertwined the tradition sees physical health and spiritual covenant.
Now, let's address a challenging aspect: "Like ornaments [ḥala’im]," but the text notes this is similar to the Hebrew word for illnesses [ḥalayim]. The commentary acknowledges the inherent risk. How many babies, it asks, are circumcised and, tragically, die as a result? It's a stark reminder of the vulnerability involved. Yet, the merit of this mitzvah (commandment) is so great that the Jewish people observe it scrupulously, despite the danger.
Rabbi Natan even shares a personal anecdote. He recounts traveling to Cappadocia and encountering a woman whose sons kept dying after circumcision. When she brought her fourth child to him, he noticed the child’s flesh was yellow and that the child was lacking "the blood of circumcision". He instructed them to wait until the child had strengthened. They followed his advice, circumcised the child later, and he survived. They even named him Natan, after the rabbi! This story underscores the importance of careful consideration and the potential for life-saving wisdom within the tradition.
The Midrash then shifts metaphors. "Like ornaments," it asks, what are these ornaments similar to? Rabbi Ḥonya says they're like the capital of a pillar, a foundational support. The Rabbis say they're like the hollow of a pearl, a precious, hidden beauty. And who crafted these ornaments? "The handiwork of a master craftsman," the text declares, the handiwork of the Holy One, blessed be He, in the world.
Rabbi Shmuel brings it all together with a powerful analogy. A king plants an orchard filled with nut trees, apple trees, and pomegranate trees, and entrusts it to his son. He asks nothing in return, only that when the trees bear fruit, his son bring him a sample so that he may see his handiwork and rejoice.
Similarly, the Holy One asks nothing of Israel, only that when a firstborn son is born, they consecrate him to God's name. As it is written: “Consecrate every firstborn to Me” (Exodus 13:2). And when they ascend for the pilgrim festivals, they bring all their males to appear before God. Moses even cautions Israel: “Three times during the year [all your males shall appear before…the Lord]” (Exodus 23:17). And as the text points out, since one who is uncircumcised cannot make the pilgrimage (Yevamot 72a), it's implied that the son has been circumcised.
So, what do we take away from all this? It's a multi-layered exploration of lineage, covenant, and divine artistry. It reminds us that our traditions are not just abstract concepts, but living, breathing connections to our ancestors and to the Holy One. And it challenges us to see the beauty and meaning woven into even the most challenging aspects of our heritage. How will you carry these insights forward?