6 min read

The Golden Donkey's Head and the Gods Who Wept and Bled

A schemer wrapped himself in lamps to steal a golden ass from the Temple, and Josephus answered by putting the accusers' own gods on trial.

Curated by Arthur · Told by Maggid ·
Table of Contents
  1. The Star That Came Walking Down From Dora
  2. The Doors It Took Twenty Men to Close
  3. A People Who Lit Lamps at Every Festival
  4. The Gods Who Bled and Wept
  5. The Cities That Bribed Their Gods Like Thugs
The Golden Donkey's Head and the Gods Who Wept and Bled Click for full size

The Star That Came Walking Down From Dora

It began in Alexandria, with a man who hated his neighbors and lied about them with a straight face. His name was Apion, and he set the story down as though he had witnessed every step of it.

Here is what he swore. During a war between the Judeans and the Idumeans, a man of Idumea named Zabidus, a worshipper of Apollo, went over to the Judeans and promised to hand his own god into their power. Then he built a strange machine. A wooden frame fitted with three rows of lamps, strapped about his body so the whole thing burned as he moved. At night he walked out into the open country between the armies, and the men who saw him fell back in terror. "A star," they whispered. "A star has come down and walks upon the earth."

While the country stood frozen, Zabidus walked. Past the sleeping camps. Up to the walls of Jerusalem, which somehow no one was guarding. Through gates that somehow no one had shut. Into the Temple, and past its courts into the innermost room where none but the High Priest might ever stand. There, Apion swore, the lamp-wrapped Idumean lifted away the thing the Judeans were said to keep hidden and adore in secret. The golden head of a donkey. He carried it out beneath his burning frame and walked home to Dora, and the Judeans never knew their god was gone.

The Doors It Took Twenty Men to Close

Then Josephus took the story in his hands and turned it over, looking for the seams. "And say you so, sir," he answered, and every line after that was a blade.

Where was this Dora the man strolled home to? Idumea lay beside Judea, down near Gaza, and there was no Dora within reach of it. The only Dora he knew of stood far to the north in Phoenicia, under Mount Carmel, four days off by road. Apion could not hold the map steady for the length of one sentence.

And the walls. A land swarming with soldiers, a war at full heat, and a single man in a rack of lamps crosses the whole of it and not one sentry stops him. He finds Jerusalem open. He finds the Temple open. Josephus had stood before those doors. Seventy cubits high, twenty broad, plated in gold, so heavy that twenty men leaned into them to swing them shut each evening. Apion's own book, garbled by some careless copyist, had swollen that number to two hundred. Those doors were never left standing open, not on any night. And still a man selling lamplight had supposedly wandered in and out.

A People Who Lit Lamps at Every Festival

The donkey almost made Josephus laugh. Here was a nation that kindled lamps at every festival of its year, that kept a lampstand of pure gold burning inside that very house, and Apion imagined them struck senseless with awe by one man wearing candles. Here was a nation accused in one breath of sharing no gods with anyone on earth, and in the next of hoarding a secret idol like every other people around it. Both charges could not stand, and neither did.

He did not know which ending to believe. Perhaps Zabidus carried the head back to Dora. Perhaps Apion had simply set a golden head inside the sanctuary himself, so that some later Antiochus could march in, "discover" it, and breed the next lie out of the first. That was how such fables multiplied. One man invents an idol, and a hundred years later another swears he found it.

The Gods Who Bled and Wept

Then Josephus stopped defending and went on the attack. These accusers who sneered at a people for its God, he said. Look now at the gods they themselves kept.

Some were boys, smooth-cheeked and beardless. Others were greybeards bent with age, and both were called deathless and eternal. Among them worked common tradesmen, a god sweating over a forge with a hammer, a god hunched at a loom. There were gods who marched to war against mortal men and lost, who bled where the spear went in, who brawled with one another and traded blows in full view of the world.

And the lust of them. The one they set highest, a father of gods, could not master his own body. He crept into his own wife's bedchamber like a burglar. He scattered children across heaven and earth and then stood aside while the women he had ruined were chained in prison or flung into the sea. Bound so tightly by fate that he could not save his own sons, this ruler of all things wept over their graves like any broken mortal. "These are fine things," Josephus said, and meant none of it.

The Cities That Bribed Their Gods Like Thugs

It went lower still. Adultery in heaven, admired and even envied. Gods sold into service, raising walls for a wage, driving another man's flocks to pasture. Gods clapped in irons like common thieves. Men had taken fear itself, and madness, and fraud, and cowardice, and lifted these up as gods to be worshipped.

And beneath them knelt whole cities, sacrificing out of dread. They coaxed the givers of good and bought off the bringers of harm, pressing gifts on their gods the way a traveler presses silver on the cruelest brigand on the road, asking only to be let past unhurt. That, Josephus wrote, was the faith of the men who dared to laugh at Jerusalem. He set down his pen against a golden donkey that never was, and left the beardless boys and the weeping king and the shackled thieves standing in their own heaven, waiting for their bribes.


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From the tradition

Sources

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The texts behind this telling. Some cards carry a translation of the source; others are our own retelling of it, and each card says which. Every card links out to the original.

Against Apion 9:1Against Apion

Retold in our words. Read the original at the link below.Against Apion, trans. William Whiston · Public Domain

It comes to us from Apion, a Graeco-Egyptian intellectual who lived in the 1st century CE and who, shall we say, wasn't the biggest fan of the Jewish people. His writings, thankfully preserved in Josephus's Against Apion, give us a glimpse into the kind of anti-Jewish sentiment that was floating around back then.

So, what's this wild tale? Apion claims that during a war between the Jews and the Idumeans – that's the people who lived just south of Judea – a guy named Zabidus, an Idumean who worshipped Apollo, decided to betray his own people. Get this: Zabidus promises to deliver Apollo, the god of Dora, into Jewish hands! How? By putting together some kind of bizarre contraption: a wooden frame decked out with three rows of lamps. He then prances around, looking like a "star walking upon the earth," scaring the bejeezus out of everyone.

The story goes that while everyone's frozen in fear, Zabidus waltzes right into the Kodesh, the Holy of Holies in the Temple, and snatches the golden head of…an ass. Yes, you read that right. A golden donkey head. According to Apion, that's what the Jews were supposedly worshipping. Then, he supposedly just saunters back to Dora.

Josephus, quite rightly, tears this story to shreds. "And say you so, sir!" he retorts, dripping with sarcasm. He points out the sheer geographical absurdity of it all. Apion gets his locations all jumbled up. Idumea is next to Judea, near Gaza. But there's no Dora there. There's a Dora up in Phoenicia, near Mount Carmel, but that's four days' journey away! Seriously, Apion couldn't even get his basic geography right.

Josephus then gets to the heart of the matter. If the Jews were so easily fooled into thinking Apollo was strolling around with a bunch of stars, why does Apion accuse them of not having gods in common with other nations? And come on, a golden donkey head? Really? Those who light lamps at every festival had never seen a candlestick?

It just gets worse. This Zabidus guy supposedly wandered through a country teeming with people, during wartime no less, and nobody stopped him. He finds the walls of Jerusalem unguarded. And the doors to the Beit Hamikdash, the Temple itself? Josephus reminds us they were seventy cubits high and twenty cubits broad, covered in gold, requiring twenty men to close them each day! (Interestingly, Josephus points out a copyist error in Apion, noting that the Greek text erroneously claims the doors required two hundred men to close.) They were never left open! But apparently, our lamp-bearing friend just strolled right in and out.

Josephus doesn’t know if Zabidus returned the head or if Apion himself planted it there for Antiochus to "discover," thereby creating another anti-Jewish fable.

So, what are we left with? A ridiculous story, riddled with factual errors and blatant prejudice. But it’s also a reminder of the kind of nonsense the Jewish people have had to face throughout history.

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Against Apion 34:1Against Apion

Retold in our words. Read the original at the link below.Against Apion, trans. William Whiston · Public Domain

Against Apion turns to Josephus Mocks the Absurd Gods of Other Nations.

Josephus minces no words. He tells us that the "wisest men" justly rebuked these notions, openly mocking the idea that gods could be young and beardless, or old and bearded. He scoffs at the notion of gods being tradesmen – a smith, a weaver – or warriors who actually fight with men! Imagine, the divine brawling amongst themselves, squabbling over mortals, even being wounded by them!

In Josephus, the biggest offense was the sheer lasciviousness ascribed to the gods. Unbounded lust, rampant affairs… and not just between the goddesses and gods, but with mortals too! He asks, how could anyone take seriously the idea of a chief god, a "first father," who turns a blind eye to his own transgressions, allowing goddesses he's impregnated to be imprisoned or drowned? And even more, this all-powerful being is so bound by fate that he can't save his own children, and weeps openly at their deaths?

"These are fine things indeed!" Josephus sarcastically remarks.

He points out the absurdity of adulteries being so casually accepted, even envied, in heaven. He brings up the king of the gods himself, unable to control his lust, sneaking into the bedchamber of his wife. And it gets worse. Some gods are reduced to servants, building for a mere reward or tending flocks. Others are imprisoned like common criminals. Would any sane person, Josephus asks, not be provoked by such tales? Wouldn’t they rebuke the storytellers and condemn those foolish enough to believe them?

Josephus even highlights the darker side of these beliefs. He says that some have elevated timidity, fear, madness, fraud – all the vilest passions – into the very nature of gods. They've persuaded entire cities to offer sacrifices, forced to appease some gods as givers of good things and others as averters of evil. People try to bribe them with gifts, as if they were the vilest of men, only hoping to avoid some great misfortune.

What does it say about a society when its gods are portrayed as flawed, even morally bankrupt? What does it mean when people are driven by fear and bribery in their relationship with the divine? Josephus certainly found it appalling. He saw it as a sign of intellectual and moral bankruptcy. And while we might appreciate these myths as stories, it's worth remembering that not everyone saw them as harmless entertainment. For some, they were a dangerous reflection of humanity's own failings.

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