Parshat Chayei Sarah4 min read

Three Tents Pseudo-Jonathan Refused to Let Vanish

Pseudo-Jonathan preserves three patriarchal tent-scenes: Pharaoh confessing he could not touch Sarah, light returning with Rebekah, Laban's search.

Written by Maggid · Edited by Arthur Sabintsev ·
Table of Contents
  1. Pharaoh's Confession About Sarah
  2. The Light That Returned to Sarah's Tent
  3. Laban Saving Rachel's Tent for Last
  4. Why the Tents Mattered

Some of the patriarchal stories happen in tents. Targum Pseudo-Jonathan on Genesis, the expansive Aramaic Targum preserving older traditions in a later redacted form, tracks what happens inside three particular tents that the Hebrew leaves quieter than the Aramaic is willing to.

Pharaoh's confession to Abraham that plagues prevented him from touching Sarah. The reappearance of light in Sarah's tent when Rebekah entered it. Laban's search through every tent of the camp before reaching Rachel's. Three tent-scenes the Aramaic translator wanted preserved at higher resolution than the Hebrew provided.

Pharaoh's Confession About Sarah

Targum Pseudo-Jonathan on Genesis 12:19 records Pharaoh's response to Abraham after the deception about Sarah's status is exposed. The Hebrew has Pharaoh ask why didst thou say she is my sister and then send the patriarch and his wife away. The Aramaic adds Pharaoh's reason for not having touched her.

When I would take her to me to wife, plagues were at once sent against me, and I went not unto her. Pharaoh's account in the Targum is more candid than in the Hebrew. The plagues did not just punish the household after the fact. They prevented the act in the first place. Pharaoh, the Aramaic translator wants the reader to know, did not consummate. He could not. The Holy One's intervention was prophylactic.

The teaching protects Sarah. The Targum is preserving the matriarchal lineage by making clear, on Pharaoh's own testimony, that the woman who would mother Isaac was untouched. The Aramaic refuses to leave any ambiguity in the genealogy.

The Light That Returned to Sarah's Tent

Targum Pseudo-Jonathan on Genesis 24:67 handles Isaac's reception of Rebekah. The Hebrew says Isaac brought her into his mother Sarah's tent, and he took Rebekah and she became his wife, and he loved her, and Isaac was comforted after his mother's death. The Aramaic preserves a much richer scene.

Isaac introduced Rebekah into the tabernacle of Sarah his mother. Thereupon the light again shined which had gone out at the time of Sarah's death. The Targum is preserving the midrashic tradition that Sarah's tent had a continuous miraculous light during her lifetime, which extinguished when she died. The light returned, the Targum says, the moment Rebekah entered.

The Aramaic continues. Isaac saw Rebekah's works and found them upright as the works of his mother. He loved her. He was consoled. The teaching has psychological precision. The tent was not just a building. It was a configuration that responded to the kind of woman occupying it. Sarah's death dimmed the configuration. Rebekah's arrival, on the strength of her uprightness, restored the configuration. Isaac's consolation, in this reading, depended on the light's return.

Laban Saving Rachel's Tent for Last

Targum Pseudo-Jonathan on Genesis 31:33 records Laban's search for his stolen household gods after pursuing Jacob into the wilderness. The Hebrew gives a brief itinerary. The Aramaic preserves it more deliberately.

Laban went into the tent of Jacob. He went into the tent of Leah. He went into the tent of the two concubines, Bilhah and Zilpah. He found nothing. He went out from the tent of Leah and entered the tent of Rachel.

The Targum preserves the sequence so that the reader can feel the suspense. Laban searches every tent in the camp. Rachel's is last. The reader, knowing Rachel has hidden the household gods beneath the camel cushion she is sitting on, watches the search narrow inexorably toward her. The Aramaic does not need to add suspense. It only needs to preserve the order of the search faithfully, and the suspense follows from the order.

Why the Tents Mattered

Stack the three passages and the Targum's reading of these tent-scenes becomes legible. Targum Pseudo-Jonathan understands that the patriarchal story is, in many of its key moments, a story conducted inside specific cloth structures.

Pharaoh's bedchamber, where the plagues prevented him from reaching Sarah. Sarah's tent, where the light went out at her death and returned with Rebekah. Rachel's tent, the last one Laban searched, where the household gods were hidden under a cushion. The Aramaic translator wanted the reader to know that the covenantal line was preserved tent by tent, scene by scene, by the precise events the Hebrew left to the reader's quieter imagination.

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