Moses Rejoiced When Aaron Received the Anointing Oil
When Aaron was anointed as High Priest, Moses felt no jealousy. The midrash says the oil on Aaron was joy for Moses too.
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The oil ran down Aaron's beard, and Moses felt it as if it had touched his own.
That is the tenderness hidden inside a verse from Song of Songs. The beloved's cheeks are lovely with ornaments. Shir HaShirim Rabbah turns the love song toward the brothers who carried Israel out of Egypt. Moses and Aaron become the two cheeks, made for speech, matched in service, joined by a love that did not collapse under honor.
Aaron received the priesthood. Moses rejoiced.
The Cheeks Were Made for Speech
Cheeks frame the mouth.
The midrash reads them as Moses and Aaron because both were created for speech. Moses carried the word of God. Aaron carried that word into Pharaoh's court and into Israel's ears. One brother received revelation with terrifying clarity. The other translated leadership into voice, ceremony, blessing, and service.
They were not duplicates. They were paired instruments. Israel needed the prophet who ascended the mountain and the priest who stood among the people. The face needed both cheeks for the mouth to speak fully.
The Ornaments Were Two Torahs
The verse speaks of ornaments, and the rabbis hear Torah inside the word.
It can mean two Torahs, the written Torah and the oral Torah. It can mean many Torahs, the laws of offerings, impurity, vows, judgments, and all the separate chambers of instruction that fill Leviticus and beyond. Moses and Aaron are adorned not with vanity but with teachings. Their beauty is the beauty of a people given law in forms the world can practice.
Speech becomes lovely when it carries Torah rather than appetite, flattery, or command for its own sake.
God Measured the Brothers Together
The midrash presses deeper into their equality.
God tells Moses that the reverence resting on Moses will also rest on Aaron, and the reverence resting on Aaron will also rest on Moses. Neither brother's honor requires the diminishment of the other. In ordinary courts, one appointment can poison a family. One crown can make every brother count what he did not receive.
In this house, the honor moves differently. Aaron's elevation does not reduce Moses. Moses' prophecy does not erase Aaron.
The Oil Did Not Create Jealousy
The day of anointing could have been dangerous.
Aaron stood robed as High Priest. Oil descended over his head and beard. The priesthood, with its garments, offerings, and entry into holy service, belonged to him and his sons. Moses had led the people, split the sea by God's command, ascended Sinai, and carried the tablets. A smaller man would have felt robbed.
Moses felt joy. The midrash says the oil on Aaron was as beloved to Moses as if it had flowed onto Moses himself.
The Brothers Became One Face
That is why Song of Songs could hold them.
The verse is intimate because the brotherhood is intimate. Moses and Aaron do not stand as rival institutions, prophet against priest. They form one face turned toward Israel. The mouth speaks through both. The ornaments shine on both. The oil blesses one and gladdens the other.
Israel's first leaders were not spared conflict, fatigue, or failure. But in this scene the midrash preserves a rare thing: power received without envy and honor shared without calculation.
The scene also answers a quiet fear about sacred office. If holiness is distributed, someone might imagine that a gift given to one person has been taken from another. Priesthood for Aaron could have looked like exclusion for Moses. Prophecy for Moses could have looked like diminishment for Aaron. The midrash refuses that arithmetic.
God's service is not a narrow cup from which only one brother can drink. Moses has his mountain, tablets, and face-to-face speech. Aaron has his garments, altar, incense, and blessing. Israel needs both forms of nearness. One brings the word down from the height. The other tends the holy work among the people day after day. The oil on Aaron's beard does not mark a loss for Moses. It marks the completion of a shared calling.
That is why joy, not envy, becomes the proof of Moses' greatness.
The Song of Songs frame matters because affection is doing theological work. The rabbis could have described the brothers with legal categories alone, prophet and priest, command and service. Instead they choose the language of beauty and nearness. Moses and Aaron are not merely offices beside one another. They are beloved features of one covenantal face.
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